The artist, title and date of the work must be listed anywhere the image is reproduced:
Jonas Suyderhoef (engraver)
Pieter Soutman (intermediary draughtsman and etcher)
Anthony van Dyck (after)
Charles I, King of England (c. 1637)
etching and engraving
40.5 × 27.2 cm (image and sheet, trimmed within platemark)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
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Medium
etching and engraving
Measurements
40.5 × 27.2 cm (image and sheet, trimmed within platemark)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Place/s of Execution
Haarlem, the Netherlands
Catalogue/s Raisonné
Barrett Pr-110 ii/iii; New Hollstein 263 ii/iii (van Dyck); Hollstein 40 ii/iii (Suyderhoef)
Edition
2nd of 3 states
Printing/Publishing
published by Pieter Soutman, Haarlem
Inscription
printed in ink l.c.: Carolús, Magnæ Britanniæ, Franciæ, Scotiæ et Hiberniæ Rex Serenissimús. / Ant. Van Dÿck Pinxit I. Súÿderhoef Scúlpsit / P. Soútman Effigiaúit Cum Priuil. Sa. Cæ. M.
Accession Number
X398-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Portraits
Subjects (specific)
Charles I, King of England festoon (motif) frames (ornament areas) kings (people) men (male humans) reproductive prints ruffs vandykes (beards)
Movements
Baroque