Collection Online

Browse by artist name

a b c d e f g h i j k l m n o p q r s t u v w x y z
It is time

It is time
(Ya es hora)
 (1797-1798)
plate 80 from Los Caprichos (The Caprices) series (1797–98), published 1799

Medium
etching, burnished aquatint, drypoint and burin printed in sepia ink
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1976
Gallery location
Not on display

Artwork Details

Medium
etching, burnished aquatint, drypoint and burin printed in sepia ink
Measurements
19.7 × 13.7 cm (image) 21.6 × 15.2 cm (plate) 25.6 × 18.2 cm (sheet)
Place/s of Execution
Madrid, Spain
Catalogue/s Raisonné
Harris 115.III.1
Edition
1st edition
Printing/Publishing
published by Goya, Madrid
Inscription
inscribed in plate above image u.r.c.: 80.
inscribed in plate below image l.c.: Ya es hora.
Accession Number
P1.80-1976
Departments
International Prints / International Prints and Drawings
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1976
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Gallery location
Not on display
Subjects (general)
Human Figures Humour and Satire Religion and Mythology
Subjects (specific)
clergy cowls (cloaks) creatures gesture monks (people) satire (artistic device) yawning
Movements
Romanticism (modern European styles)

Related

Series

The Caprices

Part of series

They say yes and give their hand to the first comer

Part of series

Even thus he cannot make her out

Part of series

Tantalus

Part of series

Lads making ready

Part of series

They are hot

Part of series

Pretty teachings

Part of series

And his house is on fire

Part of series

There they go plucked

Part of series

Poor little girls!

Part of series

Yes he broke the pot

Part of series

Which of them is the more overcome?

Part of series

Why hide them?

Part of series

She prays for her

Part of series

To the Count Palatine, or, Count of the Palate

Part of series

A bad night

Part of series

Bravo!

Part of series

Thou who canst not

Part of series

They spin finely

Part of series

A gift for the master

Part of series

Hobgoblins

Part of series

What a tailor can do!

Part of series

The shamefaced one

Part of series

The filiation

Part of series

And still they don't go!

Part of series

Look how solemn they are!

Part of series

Devout profession

Part of series

When day breaks, we will be off

Part of series

Don't scream, stupid

Part of series

You understand?...well, as I say...eh! Look out! Otherwise...

Part of series

Be quick, they are waking up

Explore the collection

Study - initial T (recto) Man in top hat (verso) Charles Samuel KEENE Souvenirs Grotesques. "Dis donc, fifine..." Frédéric BOUCHOT Plunderers Phil MAY The Slide Phil MAY Les Maris Venges - "Mr Maxime Est Expose A La Risee" UNKNOWN Study for 'Cutting' Charles Samuel KEENE Study for 'Equal To the Occasion' Charles Samuel KEENE Study for figure in 'Obliging' Charles Samuel KEENE Study for 'Regular Irregularity' Charles Samuel KEENE Study for 'Burglars' Charles KEENE Study for 'A Mere Trifle' Charles Samuel KEENE Study for 'Our Railway at Christmas' Charles Samuel KEENE Study for 'An Objectionable Old Man' Charles Samuel KEENE Study for a lecture Charles Samuel KEENE Initial letter V Charles Samuel KEENE Drawing with sign 'Beware of the Pike' Charles Samuel KEENE Study for 'Pleasing Announcement' Charles Samuel KEENE First study for 'Necessitas' etc. Charles Samuel KEENE Revue Des Officiers Generaux UNKNOWN Sketch of John Bright Charles Samuel KEENE Study for 'Very Rude' Charles Samuel KEENE Study of rustic for 'The More Haste' etc. Charles Samuel KEENE Punch as Field Marshall (recto) Boy with toy house (verso) Charles Samuel KEENE Le Portrait Charmant UNKNOWN Fariboles No 38 UNKNOWN Foiblesse Du Roi De Prusse UNKNOWN Study of footmen Charles KEENE The Political Ballance UNKNOWN Marquis of Salisbury - Statesmen Carlo PELLEGRINI,(known as APE) Study of figures used in 'The Oyster Season Commences' Charles Samuel KEENE