Collection Online
Madame Récamier

Madame Récamier
(c. 1895)

Medium
oil on canvas

Measurements
175.2 × 243.8 cm

Credit Line
National Gallery of Victoria, Melbourne
Presented by the artist under the terms of the National Gallery of Victoria Travelling Scholarship, 1895

Gallery location
Not on display

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Artwork Details

Place/s of Execution
Paris, France

Accession Number
7-2

Department
Australian Painting

This digital record has been made available on NGV Collection Online through the generous support of The Vizard Foundation

Frame

This large-format frame is deceptive in its simplicity. The profile is not as large or complex as we would assume for a frame of these dimensions; however, the clever use of the steeply curved outer scotia creates an impression of scale in depth and width, which more than adequately meets the needs of the dimensions of the painting. The slip is a variant of the slip for Quinn’s copy of Frans Hals’ The gipsy (9-2) and a similar slip was also used for E. Phillips Fox’s Henry Giles Turner (654-2).

Frame Details

Framemaker
John Thallon
Melbourne

Date
1895

Materials

The frame is assembled from a large-scale, profiled slip, matte gilded on a grey bole, and a simply profiled outer frame. This outer frame utilises a steeply curved outer scotia and a strongly articulated, large-scale composition torus of imbricated oak leaves and acorns. The slip carries a glue size layer. The outer scotia appears to be gilded with gold leaf but carries a greenish patina. The oak torus carries a dark patina and appears to be oil-gilded. It is cross-banded at the centres and corners. The basic chassis of the frame is mitred at the corners.

Frame Condition

The frame is in largely original condition, though it should be assumed that the surface coatings have discoloured with age.

Dimensions

203.5 x 273.5 x 12.0 cm; sight 172.5 x 240.5 cm