Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
Cornelis Cort (engraver)
Frans Floris (after)
Grammar (1565)
engraving
22.3 × 27.9 cm (image) 23.3 × 28.0 cm (plate) 24.1 × 28.8 cm (sheet)
National Gallery of Victoria, Melbourne
Felton Bequest, 1923
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Grammar
(1565)
plate 1 from the Seven liberal arts series, 1st edition, published by Hieronymous Cock, Antwerp, 1565
Medium
engraving
Measurements
22.3 × 27.9 cm (image) 23.3 × 28.0 cm (plate) 24.1 × 28.8 cm (sheet)
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1923
Gallery location
Not on display
Artwork Details
Place/s of Execution
Antwerp, Flanders
Catalogue/s Raisonné
New Hollstein 197 i/iii; Bierens de Haan 224
Edition
1st of 3 states
Inscription
printed (diagonally) in ink (in image) l.c.l: GRAMMATICA / ABCDEFGHIJKLNOPQSTV / DIOMEDES
printed in ink (in image) l.c.l: DONATVS
printed (vertically) in ink (in image) l.r.: PRISCIANVS
printed (diagonally) in ink (in image) l.r.: PALEMON / SERVIVS
printed in ink (in image) l.r.: FFloris (FF monogram) inue
printed in ink l.c.l.: GRAMMATICA OS TENERVM PVERI, BALBVM (acute above V) QVE FIGVRAT, / SCIENTIARVM CETERARVM IANITRIX / SVMMO PICTVRE (smudge between RE) AMATORI NICOLAO IONGELINC CIVI ANVERPIENSI / SPECTATISS • HIERONYMVS COQVVS GRATO ANIMO DEDICABAT.
Accession Number
1278.220-3
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest