• Elwyn DENNIS

Evidence of origin
(1971)

Exhibition

Hard Edge

Essay

Between Beauty and Power: Henry Moore’s Draped seated woman as an emblem of the National Gallery of Victoria’s modernity, 1959–68

10 Rillington Place Brett WHITELEY Man absorbed in landscape John OLSEN Tea Trees near Cape Schanck, Victoria Eugene von GUÉRARD The thinker Auguste RODIN Circe Bertram MACKENNAL Study for sculpture Tony COLEING Yellow Tony TUCKSON Girl with goats Grace CROWLEY October Jules BASTIEN-LEPAGE Cahill Expressway Jeffrey SMART The babe is wise Lina BRYANS Initiation Reko Rennie Swanston Street from the Bridge Henry BURN A sculpture in metal, Vallauris, France André VILLERS Moonrise David DAVIES Anwerlarr anganenty (Big yam Dreaming) Emily Kam Kngwarray Atalanta defeated Paul MONTFORD Fear Marjorie FLETCHER Gasometers at Clichy Paul SIGNAC Peonies and head of a woman John RUSSELL No title (Fashion illustration. Two models with wooden sculpture) Athol SHMITH White spheroid Norma REDPATH Stalking leopard Ola COHN Gates of Venice (View of the Venetian lagoon with the Tower of Marghera) Francesco GUARDI Lucis Clifford LAST Shearing the rams Tom ROBERTS Drawing for sculpture Lenton PARR Flour lumper, Dimboola Sidney NOLAN Cabinet W. H. ROCKE & CO., Melbourne (manufacturer); John MATHER (decorator) Ancient sculpture, Dravidian Lorraine BARBER