Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
Pompeo Batoni
Gaetano II Sforza Cesarini, Duke of Segni 1768
oil on canvas
97.8 × 73.2 cm
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1962
Photo: National Gallery of Victoria, Melbourne
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Gaetano II Sforza Cesarini, Duke of Segni
1768
Medium
oil on canvas
Measurements
97.8 × 73.2 cm
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1962
Gallery location
17th to 18th Century European Paintings Gallery
Level 2, NGV International
About this work
Gaetano II Sforza Cesarini was a prominent Papal politician in the 1750s and 1760s. Besides glorifying his stature, his rotated pose also enabled painter Pompeo Batoni to show off large quantities of the green velvet and silk from his sitter’s coat. Softly illuminated against the dark background, the sitter’s hands and face stand out with their bright, fleshy tones. His bent right elbow was a motif often referred to in aesthetic treatises as signifying masculine energy and strength. Later eighteenth-century painters such as Joshua Reynolds frequently ‘quoted’ such poses in a critical context by also using them for female subjects.
Artwork Details
Inscription
inscribed in white paint (diagonally) (on band of waistcoat) l.c.: P. BATONI PINXIT ROMÆ 1768
inscribed in black paint (inverted) (diagonally) c.r.: A Sua Eccelenza. / il (...illeg.) Duca Sforza Cesarini / Roma (Roma underlined)
Accession Number
1211-5
Department
International Painting
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Dame Carol Colburn-Grigor CBE through Metal Manufactures Limited
Subjects (general)
Portraits
Subjects (specific)
coats (garments) dukes embroidery (visual works) half figures lace (needlework) men (male humans) menswear waistcoats (garments)