Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
Honoré Daumier
There's no doubt about it, that's definitely me. However I am very disappointed that the artist insisted on portraying me without my glasses and collar (Il n'y a pas à dire, c'est bien moi, c'est bien mon galbe...; mais je regretterai toujours que l'artiste ait eu l'entêtement de ne vouloir pas reproduire mes lunettes, non plus que mon faux col!...) (1864)
gillotype on brown paper
22.4 × 22.1 cm (image) 24.6 × 22.5 cm (image and text) 27.5 × 30.5 cm irreg. (sheet)
National Gallery of Victoria, Melbourne
Felton Bequest, 1930
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
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There's no doubt about it, that's definitely me. However I am very disappointed that the artist insisted on portraying me without my glasses and collar
(Il n'y a pas à dire, c'est bien moi, c'est bien mon galbe...; mais je regretterai toujours que l'artiste ait eu l'entêtement de ne vouloir pas reproduire mes lunettes, non plus que mon faux col!...)
(1864)
plate 2 from Le public à l'exposition (The public at the exhibition) series
Medium
gillotype on brown paper
Measurements
22.4 × 22.1 cm (image) 24.6 × 22.5 cm (image and text) 27.5 × 30.5 cm irreg. (sheet)
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1930
Gallery location
Not on display
Artwork Details
Place/s of Execution
Paris, France
Catalogue/s Raisonné
Delteil 3316 ii/iii
Edition
2nd of 3 states
Inscription
printed in ink (in image) l.l.: h. D. / 55.
printed in ink (in image) l.r.: GILLOT SC
Accession Number
4348-3
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest