Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
Jonas Suyderhoef
Jonas Thopas (after)
Noah Smaltius 1668
engraving
24.3 × 20.8 cm (image) 30.7 × 21.5 cm (sheet, trimmed at platemark)
National Gallery of Victoria, Melbourne
Felton Bequest, 1933
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Noah Smaltius
1668
Medium
engraving
Measurements
24.3 × 20.8 cm (image) 30.7 × 21.5 cm (sheet, trimmed at platemark)
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1933
Gallery location
Not on display
Artwork Details
Catalogue/s Raisonné
Hollstein 118; Muller II.4972; Dutuit 82
Inscription
printed in ink (in image) c.r.: J. Thopas pinxit.
printed in ink l.l.: Mr. NOACH SMALTIUS CHIRURGYN. NEN / OPERATEUR DER STADT HAERLEM. ÆT. XXXIX. / ‘t Graaf.- ÿser, na de kunst, magh SMALTÎUS wesen snyden; / Maer noit de sneedigheit van zÿn zoo sneege Handt: / Die Hant, die door de snêe zoo veele doet verblÿden; / En helpt, door ‘t Steen-gesnÿ, het steenen uit ons Landt. / W. v. Heemskerck.
printed in ink l.c.: Die vraeght wiens beeldt dit is acht Ick geen ant woort waert. / Bÿ elck is SMALTIUS door Steenen snee vermaert; / Mits hÿ de blaes ont steent van steensghesteens-gebreecken: / Hÿ hoeft geen menschen roem wiens lof de STEENEN spreecken. / J. Suÿderhoef sculp. 1668.
printed in ink l.r.: W. v. Nieiwenhuÿsen. A.L.M.
Accession Number
4827-3
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest