Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
Rembrandt Harmensz. van Rijn
Sheet of studies: head of the artist, beggar couple, heads of an old man and old woman, etc. (1632)
etching
10.2 × 9.8 cm (sheet, trimmed within platemark)
National Gallery of Victoria, Melbourne
Felton Bequest, 1933
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Sheet of studies: head of the artist, beggar couple, heads of an old man and old woman, etc.
(1632)
Medium
etching
Measurements
10.2 × 9.8 cm (sheet, trimmed within platemark)
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1933
Gallery location
Not on display
About this work
Throughout his career Rembrandt made a number of etchings emulating drawing sheets that combined separate studies in an informal composition. This type of drawing was highly prized by collectors, and it is now agreed that Rembrandt specifically made etchings in this manner to cater to this audience. It has been suggested, however, that this early etching was an experimental one that the artist did not release commercially. Only three known impressions of the first state survive, and it would appear, on the basis of watermarks, that the second state was only issued after the artist’s death.
Artwork Details
Catalogue/s Raisonné
Bartsch 363; Hind 90 ii/ii; White & Boon 363 ii/ii; NHD 115 ii/ii
Edition
2nd of 2 states
Accession Number
4873-3
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Watermarks
Watermark Form
Horse and rider
The Horse and Rider watermark is originally found in Italian papers in the late 15th century. The watermark depicts an armoured man in tournament and the addition of the post horn, as seen in this paper, are found in papers from Holland and England during the later half of the 17th century.
Watermark and variant description
Horse and rider - variant A.b. Rider with one hand on the horse's neck, the other holding a horn.
Closely related watermark references
Heawood 2807-17 (1658-67);
Wiener 22:3 (1640);
Gaudriaud p 103.
Completeness
partial
Chain Line Interval
26 mm
Laid Line Frequency
10/cm
Placement and spacing of wires
? [26|26|26?]
Wire Side
verso
Radiograph taken from
verso