Medium
		oil on canvas
Measurements
		50.8 × 62.2 cm
Credit Line
			National Gallery of Victoria, Melbourne
Felton Bequest, 1913			
Gallery location
		19th Century European Paintings Gallery
Level 2, NGV International
About this work
After an artist passed the rigorous selection process for the Paris Salon exhibition, they were then subjected to public criticism which could make or break their careers. Popular critics, such as Émile Zola, who commented on the Salon exhibitions, were extremely powerful. Jean Charles Cazin is one artist who changed his approach to art following a negative critique of his religious painting The departure of Judith in 1883. Until then, Cazin enjoyed success painting mainly Christian imagery in a realist manner; however, as a result of criticism he started producing landscapes devoid of narrative and obvious symbolism, such as The rainbow.
Place/s of Execution
		France
Inscription
		inscribed in brown paint l.l.: J. C. CAZIN
Accession Number
		564-2
Department
			International Painting
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Ms Carol Grigor through Metal Manufactures Limited
Subjects (general)
		
	Landscapes	
		
Subjects (specific)
		
	clouds farmhouses fields (land) houses rainbows shrubs weather	
		
Provenance
		
			With Barbizon House (dealer), London, by 1913; from where purchased, on the advice of Frank Gibson and Charles Ricketts, for the  Felton Bequest, 1913.