Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
Gustave Doré
Little Red Riding Hood (c. 1862)
oil on canvas
65.3 × 81.7 cm
National Gallery of Victoria, Melbourne
Gift of Mrs S. Horne, 1962
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
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Little Red Riding Hood
(c. 1862)
Medium
oil on canvas
Measurements
65.3 × 81.7 cm
Credit Line
National Gallery of Victoria, Melbourne
Gift of Mrs S. Horne, 1962
Gallery location
19th Century European Paintings Gallery
Level 2, NGV International
About this work
This painting is a more detailed rendition of one of the designs made by the great French illustrator Gustave Doré for the fairy tales of Charles Perrault (1628–1703), which were reprinted in Paris in 1862. Here Doré has illustrated Perrault’s original Little Red Riding Hood of 1697 – rather than the later, sanitized versions, mainly for British audiences, and depicts the story’s penultimate moment, just before the triumphant, and satiated, wolf bites off Little Red Riding Hood’s head. Terror was often a key component in fairy tales which also had a moralizing element or subtext. Romantic artists were drawn to these darker aspects of tales written for children.
Artwork Details
Inscription
inscribed in brown paint l.r.: Gv. (dot under v) Doré (Doré underlined)
Accession Number
1061-5
Department
International Painting
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Dame Carol Colburn-Grigor CBE through Metal Manufactures Limited
Subjects (general)
Emotions and Mental States Human Figures Literary and Text
Subjects (specific)
bed coverings beds (furniture) children (people by age group) children's stories disguises fairy tales fear wolves
Provenance
Collection of Mrs S. Horne, Melbourne, by 1962; by whom donated to the NGV, 1962.
Frame
Essentially Louis XIV in style there are a number of frames in the collection with this form. See for example Francis Tattegrain The convalescent (Convalescente) (1884) and John Singer Sargent, Hospital at Grenada 1912 (1337-3), which retains the makers label of C. M. May.
A variety of makers produced frames like this through the second half of the nineteenth century.
Frame Details
Framemaker
Unknown - 19th century
Date
c.1862
Materials
timber, composition, gold leaf
Frame Condition
good original condition