Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
John Frederick Herring senior
Cleveland bays 1852
oil on canvas
86.5 × 111.4 cm
National Gallery of Victoria, Melbourne
Purchased, 1947
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
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Cleveland bays
1852
Medium
oil on canvas
Measurements
86.5 × 111.4 cm
Credit Line
National Gallery of Victoria, Melbourne
Purchased, 1947
Gallery location
18th Century Decorative Arts & Paintings Gallery
Level 2, NGV International
About this work
Before the advent of photography, sport and animal painting were extremely popular in Britain, and in his day, John Herring Sr was the most outstanding artist practising this genre. In Cleveland bays he captures the spirit and personality of two working horses; the central figure has a particularly commanding presence, exuding strength and vigour. Although untethered, it stands still, demonstrating great discipline, a quality much admired in a working horse. Cleveland bays were bred mainly for working in harness, although some were saddled as they were powerful jumpers.
Artwork Details
Inscription
inscribed in brown paint c.l.: J. F. Herring Sen. r / . / 1852.
Accession Number
1741A-4
Department
International Painting
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Dame Carol Colburn-Grigor CBE through Metal Manufactures Limited
Subjects (general)
Animals
Subjects (specific)
bits (bridle components) blinders (animal equipment) bridles dog (species) halters (animal equipment) hay (material) horse (species) stables (animal housing)
Frame
Reproduction, 2009, based on a frame by William Spencer, London, 1864