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Charles KEENE
Gentleman at door speaking to servant
Medium
pen and ink (brown) over pencil
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1951
Reproduction requests
Gallery location
Not on display
Artwork Details
Medium
pen and ink (brown) over pencil
Place/s of Execution
London, England
Accession Number
2471A-4
Department
International Prints and Drawings
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1951
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Reproduction requests
Gallery location
Not on display
Subjects (general)
Daily Life
Human Figures
Relationships and Interactions
Subjects (specific)
discussions (events)
domestics (servants)
doorways
gentlemen
narrative art
studies (visual works)
top hats (hats)
unfinished
Movements
Victorian
Explore the collection
Miguel
David McDIARMID
Mother and child
Cornelis de VOS
Fariboles No 38
UNKNOWN
The Old Jew
UNKNOWN; Robin STACEY (after)
Study for 'Coincident'
Charles Samuel KEENE
Progress of virtue and vice (Plate 12)
Daniel CHODOWIECKI
Study of figures used in 'The Oyster Season Commences'
Charles Samuel KEENE
Tracing for the etching for 'Matrimonial Arrangement Association'
Charles KEENE
Study
Charles Samuel KEENE
Study for Vol. 53
Charles Samuel KEENE
Old man in office chair
UNKNOWN; G. J. PINWELL (after)
Study for Punch Almanack, 1866
Charles KEENE
Study for 'Lilians Perplexities'
Charles Samuel KEENE
The Holy Kinship and Two Musical Angels
Albrecht DÜRER
Study for 'Very Rude'
Charles Samuel KEENE
Untitled
UNKNOWN; George du MAURIER (after)
Two prostitutes, Mexico City
Jesus ESCOBEDO
The Wayfarers
Charles SHANNON
Portrait group: The singer Farinelli and friends
Jacopo AMIGONI
The Painter's Inspiration
Edward John POYNTER
The Discovery
UNKNOWN
Venus and Satyrs
Bernard PICART
Unloading the dowry
Reynold WEIDENAAR
Fallen by the roadside
UNKNOWN
Dancing
Charles KEENE
Untitled
Jan STEEN
The Virgin and child on a pedestal
Simone CANTARINI
Son Christopher
UNKNOWN; John Everett MILLAIS (after)
Too True
Charles Samuel KEENE
Drawing for 'Touching'
Charles Samuel KEENE
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