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Charles Samuel KEENE
Study
(1868)
Medium
pen and ink over charcoal
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1951
Reproduction requests
Gallery location
Not on display
Artwork Details
Medium
pen and ink over charcoal
Place/s of Execution
London, England
Accession Number
2506A-4
Department
International Prints and Drawings
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1951
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Reproduction requests
Gallery location
Not on display
Subjects (general)
Human Figures
Musical
Subjects (specific)
caricatures
illustrations (layout features)
Japanese (culture or style)
kimonos
pianos
studies (visual works)
Movements
Victorian
Discover more
Essay
Index 1945–2010
Explore the collection
Circe
Bertram MACKENNAL
Lucrezia Borgia, Duchess of Ferrara
Dosso DOSSI; Battista DOSSI (attributed to)
Kandakidj (Antilopine kangaroo)
Curly Bardkadubbu
The Virgin and Child
FLANDERS
Drawing Of a Nude Figure
Alfred STEVENS
Portrait of a gentleman
Louis TOCQUÉ
Untitled
Charles Samuel KEENE
Not Satisfied?
Honoré DAUMIER
Ulysses and the Sirens
John William WATERHOUSE
Give us a Bite
Phil MAY
Lady Rous née Charlotte Maria Whittaker, second wife of the 6th Baronet, later, Earl of Stradbroke
William BEECHEY
Chacmool
Tarascan, Tzintzuntzan, Michoacán, West Mexico
Little Red Riding Hood
Gustave DORÉ
Mary, Lady Vere
William LARKIN
Home again
Frederick McCUBBIN
Study of interior with figures
G. F. FOLINGSBY
Untitled
David DEUCHAR
Untitled
Phil MAY
Peonies and head of a woman
John RUSSELL
Anguish
August Friedrich Albrecht SCHENCK
The Crossing of the Red Sea
Nicolas POUSSIN
Moses bringing down the Tables of the Law
John Rogers HERBERT
Study
Charles Samuel KEENE
The victory of faith
St George HARE
Portrait of an old lady
Françoise DUPARC
Frederick van Velthuysen and his wife, Josina
Thomas de KEYSER
Cahill Expressway
Jeffrey SMART
Girl with goats
Grace CROWLEY
Untitled
G. STAFFORD
Untitled (Red)
Mark ROTHKO
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