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Charles KEENE
Drawing
(1866)
Medium
pen, ink and wash
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1951
Reproduction requests
Gallery location
Not on display
Artwork Details
Medium
pen, ink and wash
Place/s of Execution
London, England
Accession Number
2539-4
Department
International Prints and Drawings
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1951
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Reproduction requests
Gallery location
Not on display
Subjects (general)
Human Figures
Relationships and Interactions
Subjects (specific)
Keene, Charles Samuel
men (male humans)
models (people)
painters (artists)
painting equipment
palettes (painting equipment)
sketches
studios (work spaces)
Movements
Victorian
Explore the collection
Venus and Satyrs
Bernard PICART
The Toys
Margaret GERE
Tracing for the etching for 'Matrimonial Arrangement Association'
Charles KEENE
Study
Charles Samuel KEENE
Study for 'Fiat Experimentum' etc.
Charles Samuel KEENE
Portrait group: The singer Farinelli and friends
Jacopo AMIGONI
Die Jager (Plate 7)
Daniel CHODOWIECKI
The Discovery
UNKNOWN
The Reprimand
UNKNOWN; John Everett MILLAIS (after)
The Virgin and Child
FLANDERS
Sweethearts
F.H. TOWNSEND
Two women
Yosl BERGNER
Woman and child
Bartolomeo SCHIDONE
Study for 'A Deduction'
Charles Samuel KEENE
Unloading the dowry
Reynold WEIDENAAR
Two prostitutes, Mexico City
Jesus ESCOBEDO
The Holy Kinship and Two Musical Angels
Albrecht DÜRER
Dancing
Charles KEENE
Study for 'Never Say Die'
Charles Samuel KEENE
The vagrants
Camille PISSARRO
Study for 'Not Thankful For Small Mercies'
Charles Samuel KEENE
A Dilemma
Phil MAY
Study for 'Time' by Forelock
Charles Samuel KEENE
Study for 'Cutting'
Charles Samuel KEENE
On two children in black
Charles Samuel KEENE
Study for 'Very Rude'
Charles Samuel KEENE
Study for Punch Almanack, 1866
Charles KEENE
Study for 'Lilian Perplexities'
Charles Samuel KEENE
Cupid and Psyche
George BAXTER
Untitled (Red)
Mark ROTHKO
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