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Drawing

Drawing
 (1866)

Medium
pen, ink and wash
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1951
Reproduction requests
Gallery location
Not on display

Artwork Details

Medium
pen, ink and wash
Place/s of Execution
London, England
Accession Number
2539-4
Department
International Prints and Drawings
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1951
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Reproduction requests
Gallery location
Not on display
Subjects (general)
Human Figures Relationships and Interactions
Subjects (specific)
Keene, Charles Samuel men (male humans) models (people) painters (artists) painting equipment palettes (painting equipment) sketches studios (work spaces)
Movements
Victorian

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Too True Charles Samuel KEENE Soup tickets UNKNOWN; LAWLESS,(J.M.L.R.?) (after) Study for 'Equal To the Occasion' Charles Samuel KEENE Two women Yosl BERGNER Study for 'Men Were Deceivers Ever' Charles KEENE Son Christopher UNKNOWN; John Everett MILLAIS (after) Finished drawing for 'Consolation' Charles Samuel KEENE Untitled Jan STEEN The Holy Kinship and Two Musical Angels Albrecht DÜRER Study for 'Fiat Experimentum' etc. Charles Samuel KEENE Paris and Helen Valentine GREEN Study of men smoking and drinking (In 18th Century Costume) Charles KEENE Fallen by the roadside UNKNOWN Study for 'Irish Ingenuity' Charles Samuel KEENE Progress of virtue and vice (Plate 12) Daniel CHODOWIECKI Portrait group: The singer Farinelli and friends Jacopo AMIGONI Untitled UNKNOWN; John Everett MILLAIS (after) Tracing for the etching for 'Matrimonial Arrangement Association' Charles KEENE Study Charles Samuel KEENE Study for 'The Vikings Bride' Charles Samuel KEENE The Old Jew UNKNOWN; Robin STACEY (after) Fariboles No 38 UNKNOWN Study for two figures Charles Samuel KEENE Drawing for 'Touching' Charles Samuel KEENE Study for 'Matrimonial Arrangement Association' Charles Samuel KEENE Old man in office chair UNKNOWN; G. J. PINWELL (after) Unloading the dowry Reynold WEIDENAAR Study for 'The Country in the Future' Charles Samuel KEENE The Painter's Inspiration Edward John POYNTER Sweethearts F.H. TOWNSEND