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Charles Samuel KEENE
Study for 'Cornet Saunter'
(1866)
Medium
pen and ink(brown) with white
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1951
Reproduction requests
Gallery location
Not on display
Artwork Details
Medium
pen and ink(brown) with white
Place/s of Execution
London, England
Accession Number
2590A-4
Department
International Prints and Drawings
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1951
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Reproduction requests
Gallery location
Not on display
Subjects (general)
Human Figures
Humour and Satire
Military and Warfare
Subjects (specific)
barracks
cartoons (humorous images)
line drawings (drawings)
riflemen
sketches
soldiers
studies (visual works)
Movements
Victorian
Discover more
Essay
Index 1945–2010
Explore the collection
Plunderers
Phil MAY
Clock garniture
MINTON, Stoke-on-Trent, Staffordshire (manufacturer); Marc-Louis-Emmanuel SOLON (decorator)
Study of a man standing
Charles Samuel KEENE
The Crossing of the Red Sea
Nicolas POUSSIN
An Expert
Harry FURNISS
The first cloud
William Quiller ORCHARDSON
The pioneer
Frederick McCUBBIN
Study of Medieval figures
Charles Samuel KEENE
Untitled
G. STAFFORD
Kandakidj (Antilopine kangaroo)
Curly Bardkadubbu
Flower market
Ethel CARRICK
Great dancing pair
Erich HECKEL
Calvary
FLANDERS; Jan BRUEGHEL I (studio of)
Shearing the rams
Tom ROBERTS
Standing nude in profile
Charles DESPIAU
Landscape with two figures by a stream
Joshua CRISTALL
(Minstrel)
Edwin LANDSEER
Man seated in overcoat
Charles KEENE
Hero and Leander
Nicolas RÉGNIER
Not Satisfied?
Honoré DAUMIER
Self-portrait
Joseph WRIGHT of Derby
Seated man
Chavel MORNDO
Two Pennorth
Phil MAY
Portrait of a man
BENTLEIGH
The red hat
William FRATER
The Banquet of Cleopatra
Giambattista TIEPOLO
Anguish
August Friedrich Albrecht SCHENCK
Chacmool
Tarascan, Tzintzuntzan, Michoacán, West Mexico
Honey-Pots
Phil MAY
A Breton Beggar
Robert SPENCE
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