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Charles KEENE
Study for 'Our Country Concerts'
(1867)
Medium
pen and ink (brown)
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1951
Reproduction requests
Gallery location
Not on display
Artwork Details
Medium
pen and ink (brown)
Place/s of Execution
London, England
Accession Number
2592-4
Department
International Prints and Drawings
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1951
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Reproduction requests
Gallery location
Not on display
Subjects (general)
Human Figures
Humour and Satire
Performing Arts
Subjects (specific)
cartoons (humorous images)
children (people by age group)
choirs (groups of people)
concerts (performances)
conductors (musicians)
pitchforks
sketches
studies (visual works)
Movements
Victorian
Explore the collection
Rembrandt
REMBRANDT Harmensz. van Rijn; REMBRANDT Harmensz. van Rijn (studio of)
The grasshopper
Jules LEFEBVRE
Untitled
David TENIERS II
Untitled
Charles Samuel KEENE
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Edwin LANDSEER
Self-portrait
Joseph WRIGHT of Derby
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UNKNOWN
A group of standing figures
Cavaliere d’ARPINO (attributed to)
Baronne Madeleine Deslandes
Edward BURNE-JONES
Untitled (Red)
Mark ROTHKO
Gates of Venice (View of the Venetian lagoon with the Tower of Marghera)
Francesco GUARDI
Study of Medieval figures
Charles Samuel KEENE
Little Red Riding Hood
Gustave DORÉ
Footballer
Sidney NOLAN
The pioneer
Frederick McCUBBIN
Study of interior with figures
G. F. FOLINGSBY
Seated man
Chavel MORNDO
Plunderers
Phil MAY
Untitled
Phil MAY
Untitled
G. STAFFORD
Moses bringing down the Tables of the Law
John Rogers HERBERT
Great dancing pair
Erich HECKEL
Phil May's Gutter Snipes Frontispiece
Phil MAY
Mary, Lady Vere
William LARKIN
Study of a man standing
Charles Samuel KEENE
Give us a Bite
Phil MAY
Two old men disputing
REMBRANDT Harmensz. van Rijn
Drawing Of a Nude Figure
Alfred STEVENS
Landscape with two figures by a stream
Joshua CRISTALL
What Betsy Ann Makes of it
Phil MAY
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