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Study for 'Modesty' etc.
(1869)
Charles Samuel KEENE
Gallery location
Not on display
Artwork Details
Medium
pen and ink (brown)
Place/s of Execution
London, England
Accession Number
2623A-4
Department
International Prints and Drawings
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1951
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Reproduction requests
Gallery location
Not on display
Subjects (general)
Human Figures
Humour and Satire
Relationships and Interactions
Subjects (specific)
cartoons (humorous images)
courtesy
departures
gesture
line drawings (drawings)
parties (events)
sketches
studies (visual works)
Movements
Victorian
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Essay
Index 1945–2010
Explore the collection
Study for 'Time' by Forelock
Charles Samuel KEENE
Surprised by Watchmen - Reign of Henry IV
Gustave DORÉ
Cupid and Psyche
George BAXTER
Die Jager (Plate 7)
Daniel CHODOWIECKI
A Dilemma
Phil MAY
Miguel
David McDIARMID
Study
Charles Samuel KEENE
The prodigal
David BOYD
Woman and child
Bartolomeo SCHIDONE
Study for 'Very Rude'
Charles Samuel KEENE
Study for 'The Country in the Future'
Charles Samuel KEENE
Study for 'Pleasing Announcement'
Charles Samuel KEENE
Woman and man seated clasping hands (In 18th Century Costume)
Charles Samuel KEENE
Study for two figures
Charles Samuel KEENE
Weeping woman
Pablo PICASSO
Drawing for 'Touching'
Charles Samuel KEENE
Old man in office chair
UNKNOWN; G. J. PINWELL (after)
Study
Charles Samuel KEENE
Peasants brawl
Sebald BEHAM
Study for 'Men Were Deceivers Ever'
Charles KEENE
Study for 'A Deduction'
Charles Samuel KEENE
Study of men smoking and drinking (In 18th Century Costume)
Charles KEENE
Study for 'The Vikings Bride'
Charles Samuel KEENE
The Fountain of Youth
UNKNOWN; Sebald BEHAM (after)
Study for 'Lilians Perplexities'
Charles Samuel KEENE
The Garden of Love
FLANDERS; Peter Paul RUBENS (after)
Study for 'A Sinister Slip'
Charles Samuel KEENE
The Toys
Margaret GERE
Tracing for the etching for 'Matrimonial Arrangement Association'
Charles KEENE
By the fireside
UNKNOWN
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