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Charles Samuel KEENE
Study of hawker for 'Tyranny'
(1870)
Medium
pen and ink (brown)
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1951
Reproduction requests
Gallery location
Not on display
Artwork Details
Medium
pen and ink (brown)
Place/s of Execution
London, England
Accession Number
2632-4
Department
International Prints and Drawings
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1951
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Reproduction requests
Gallery location
Not on display
Subjects (general)
Daily Life
Human Figures
Humour and Satire
Subjects (specific)
baskets (containers)
cartoons (humorous images)
child labour
idleness
line drawings (drawings)
peddlers
studies (visual works)
youth (people)
Movements
Victorian
Discover more
Essay
Index 1945–2010
Explore the collection
The pioneer
Frederick McCUBBIN
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Phil MAY
Collins St, 5p.m.
John BRACK
Portrait of a lady
BENTLEIGH
The babe is wise
Lina BRYANS
Untitled
G. STAFFORD
Rembrandt
REMBRANDT Harmensz. van Rijn; REMBRANDT Harmensz. van Rijn (studio of)
(Mother and child)
E. Phillips FOX
Girl with goats
Grace CROWLEY
Untitled
David DEUCHAR
Kandakidj (Antilopine kangaroo)
Curly Bardkadubbu
Self-portrait
Joseph WRIGHT of Derby
Lady Seated
Francis DODD
The Banquet of Cleopatra
Giambattista TIEPOLO
The Crossing of the Red Sea
Nicolas POUSSIN
Untitled
Charles Samuel KEENE
Peonies and head of a woman
John RUSSELL
The Virgin and Child
FLANDERS
Little Mothers
Phil MAY
Moses bringing down the Tables of the Law
John Rogers HERBERT
A Dilemma
Phil MAY
Clock garniture
MINTON, Stoke-on-Trent, Staffordshire (manufacturer); Marc-Louis-Emmanuel SOLON (decorator)
Flour lumper, Dimboola
Sidney NOLAN
Woman seated facing left
Paul-César HELLEU
The skittle players
David TENIERS II
Great dancing pair
Erich HECKEL
Cahill Expressway
Jeffrey SMART
Caricature of an abbe and other figures Study of an architectural detail
UNKNOWN
Study
Charles Samuel KEENE
Standing nude in profile
Charles DESPIAU
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