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Charles Samuel KEENE
Study for 'The Better the Day'
(1873)
Medium
pen and ink (brown)
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1951
Reproduction requests
Gallery location
Not on display
Artwork Details
Medium
pen and ink (brown)
Place/s of Execution
London, England
Accession Number
2660-4
Department
International Prints and Drawings
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1951
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Reproduction requests
Gallery location
Not on display
Subjects (general)
Daily Life
Human Figures
Humour and Satire
Subjects (specific)
back views
cartoons (humorous images)
curates
line drawings (drawings)
photographers
photography (discipline)
sketches
studies (visual works)
Movements
Victorian
Discover more
Essay
Index 1945–2010
Explore the collection
Caricature of an abbe and other figures Study of an architectural detail
UNKNOWN
Moses bringing down the Tables of the Law
John Rogers HERBERT
Footballer
Sidney NOLAN
Collins St, 5p.m.
John BRACK
Remember Remember
Phil MAY
Circe
Bertram MACKENNAL
October
Jules BASTIEN-LEPAGE
Gates of Venice (View of the Venetian lagoon with the Tower of Marghera)
Francesco GUARDI
The Mayor's Cup
William KERR
Two Pennorth
Phil MAY
Lady Rous née Charlotte Maria Whittaker, second wife of the 6th Baronet, later, Earl of Stradbroke
William BEECHEY
Honey-Pots
Phil MAY
Frederick van Velthuysen and his wife, Josina
Thomas de KEYSER
Calvary
FLANDERS; Jan BRUEGHEL I (studio of)
An Expert
Harry FURNISS
Girl with goats
Grace CROWLEY
Standing nude in profile
Charles DESPIAU
Study of Medieval figures
Charles Samuel KEENE
Untitled
Phil MAY
Anguish
August Friedrich Albrecht SCHENCK
Untitled (Red)
Mark ROTHKO
Man seated in overcoat
Charles KEENE
Mary, Lady Vere
William LARKIN
(Minstrel)
Edwin LANDSEER
Give us a Bite
Phil MAY
Baronne Madeleine Deslandes
Edward BURNE-JONES
Portrait of a gentleman
Louis TOCQUÉ
Dr Will Maloney
John RUSSELL
Man absorbed in landscape
John OLSEN
Untitled
Phil MAY
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