The artist, title and date of the work must be listed anywhere the image is reproduced:
Amedeo Modigliani
Portrait of the painter Manuel Humbert (Portrait du peintre Manuel Humbert) (1916)
oil on canvas
100.2 × 65.5 cm
National Gallery of Victoria, Melbourne
Felton Bequest, 1948
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Medium
oil on canvas
Measurements
100.2 × 65.5 cm
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1948
Gallery location
Late 19th & early 20th Century Paintings & Decorative Arts Gallery
Level 2, NGV International
About this work
Amedeo Modigliani had a reputation for generosity towards his friends, and they, in turn, often acted as his models. The Spanish artist Manuel Humbert (1890–1975), who posed for this rather solemn painting, was part of the so-called School of Paris: an assemblage of artists, including Modigliani himself, who had immigrated to the cultural Mecca of Paris. Humbert was twenty-six at the time Modigliani painted this portrait.
Inscription
inscribed in white paint u.r.: MODIGLIANI
Accession Number
1854-4
Department
International Painting
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Dame Carol Colburn-Grigor CBE through Metal Manufactures Limited
Subjects (general)
Portraits
Subjects (specific)
artists (visual artists) artists' portraits Humbert, Manuel men (male humans) menswear seated figures suits (main garments)
Provenance
Leopold Zborowski (1889–1932) (dealer), Paris; collection of M. Jonas Netter, Paris; J.-Ch. Girard, Paris (possibly a dealer); Etienne Bignou (dealer), Paris; exhibited Venice International Exhibition, 1930, Modigliani group, no. 36; exhibited Modigliani retrospective; Palais des Beaux Arts, Brussels, 1933, cat. no. 37; exhibited, Modigliani, Kunsthalle, Basel, January – February, 1934, cat. no. 29; exhibited, Glasgow Royal Institute, 1945, cat. no. 217, pl. 12; with Reid & Lefevre (dealer), London by 1948; from where purchased for the Felton Bequest on the advice of A.J.L. McDonnell, 1949.