About this work
Karl Schmidt-Rottluff and the other Die Brücke artists were drawn to printmaking, and Edvard Munch’s expressive, simplified woodcuts were particularly influential for them. Created in the summer of 1914 during Schmidt-Rottluff’s customary lakeside retreat, The sun exemplifies a common theme in early Expressionist art: an almost spiritual reverence for nature. In this woodcut, two figures approach a rising sun. As they walk towards the light, their outstretched arms convey a sense of optimism about what lies ahead. With its allusions to salvation, The sun reflects Schmidt-Rottluff’s belief that the imminent war would pave the way for a brighter future.