About this work
A critical change in Maurice de Vlaminck’s work occurred around 1907, following the Paul Cézanne memorial retrospective in Paris. After seeing this exhibition, Vlaminck became increasingly interested in the structure of landscapes, a direction his work was already taking. His landscapes became flatter, with individual details seeming less important than the overall relationship of forms. While Vlaminck continued to paint very expressively, his palette became more limited in comparison to his earlier Fauvist work.
[1] Label on reverse of painting for Gerald Corcoran (1908–98), dealer of “Old and Modern Paintings and Drawings”, based at Pont Street, adjacent Knightsbridge and Belgravia. In the 1930s he had been employed at Matthiesen Gallery, but after returning from the war and finding his job was no longer available, he began dealing privately from his Pont Street home. He was friend and agent/manager to Edward Burra. In 1947 Corcoran joined the firm of Alex Reid & Lefevre.