Jean Lurçat is regarded as the driving force behind the revival of tapestry weaving in France during the twentieth century. His tapestries celebrate life, the world and his belief in the preeminence of the Christian god through his favourite themes of the sun, the moon, the stars, animals and humanity. In Adam before Creation, Lurçat explores how all animals initially lived in harmony in the Garden of Eden. As the cat placidly stands with two chickens and a guinea fowl on its back, it shows that Lurçat is more interested in the idyllic world than the corrupted one in which the birds would have been in danger.