The artist, title and date of the work must be listed anywhere the image is reproduced:
Dai Xi
Landscape (泉 遏 影 明) 1855
ink on paper
83.7 × 42.5 cm (image)
National Gallery of Victoria, Melbourne
Purchased, 1956
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Place/s of Execution
China
Inscription
inscribed in ink (in Chinese characters) (in image) u.l.:
stamped in red ink (in image) u.l.: 戴熙
stamped in red ink (in image) u.l.: 醇士
Accession Number
1705-D4
Department
Asian Art
This digital record has been made available on NGV Collection Online through the generous support of The Gordon Darling Foundation
Physical description
A landscape with mountain peaks, a receding river and huts and houses hidden in the midst of trees. In the foreground, two scholars converse within a thatched hut surrounded by trees and bamboos and an empty boat is parked nearby. As indicated in Dai’s inscription, the painting is following the style of HUANG Gongwang; for example, dry brushstrokes, hemp-fibre texture strokes, mist indicated by the blank area of the white paper, and landscape as a spiritual retreat. There are wonderful details such as the delicate brushstrokes representing bamboos. As in the scholar-amateur tradition, the two line poem in the inscription is expressed in the painting. The inscription is written in beautiful and elegant calligraphy.