Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
John Longstaff
Ada Garrick (Mrs Bright) 1895
oil on canvas
126.4 × 87.8 cm
National Gallery of Victoria, Melbourne
Gift of Miss Rachel Bright, 1953
Photo: National Gallery of Victoria, Melbourne
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Ada Garrick (Mrs Bright)
1895
Medium
oil on canvas
Measurements
126.4 × 87.8 cm
Credit Line
National Gallery of Victoria, Melbourne
Gift of Miss Rachel Bright, 1953
Gallery location
Not on display
Artwork Details
Place/s of Execution
London, England
Inscription
inscribed in brown paint u.r.: J. Longstaff / 1895
Accession Number
3009-4
Department
Australian Painting
This digital record has been made available on NGV Collection Online through the generous support of The Vizard Foundation
Subjects (general)
Portraits
Subjects (specific)
capes (outerwear) dresses (garments) fans (costume accessories) hairstyles standing three-quarter-length figures women (female humans)
Frame
Original, by R. J. Stannard, London
Frame
The frame is an English rendering of the Italian cassetta form, which became popular in the last decades of the nineteenth century. It was popularised in Melbourne by the framer John Thallon and is found on paintings by Melbourne painters of the 1880s and 1890s. The construction here uses thick sections of timber, rather than thin veneers, to create the base of oak to carry the gilding which leads to a more stable decorative system. If, as seems likely, the frame has been cut down to fit the painting, we are left to ponder whether it is a recycling by Longstaff or another party.
Frame Details
Framemaker
R. J. Stannard
30 Great Russell Street London W.C.
Date
(1895)
Materials
The frame is assembled from two primary sections. The outer edge is a simple timber profile carrying a torus of imbricated laurel and berry. The torus is made from a thin composition pressing, wrapped around a softwood timber core, and is mitred at the corners. The leaves of the torus section all point in the one direction which suggests these sections have been cut from long lengths of moulding. The flat of the frame is made from an oak board laminated to a pine base, mitred at the corners. The sight edge carries a fine-scale composition imbricated leaf and berry section. The rebate is formed by the addition of battens, lap joined on the reverse. The torus is oil gilded. The flat appears to be water gilded direct to the timber. The cavetto either side of the torus are water gilded on a yellow bole.
Frame Condition
The frame is in good condition, apart from some losses in the composition elements and resurfacing of the working edge. The gilding is worn and discoloured in places and some over-painting can be noted. The sight-edge bevel is over-gilded. There is evidence that the frame has been cut down by re-cutting the upper right and lower left mitres.
Dimensions
154.5 x 116.0 x 7.5 cm; sight 124.5 x 86.0 cmMore Information
National Portrait Gallery