Francisco GOYA y Lucientes
The famous Martincho places the 'banderillas' playing the bull with the movement of his body
(El famoso Martincho poniendo banderillas al quiebro)
(c. 1815-1816); published 1816
plate 15 from La Tauromaquia (The Art of Bullfighting) series (c. 1815–16), published 1816

Medium
etching, burnished aquatint, drypoint and burin

Measurements
20.4 × 31.3 cm (image) 24.8 × 35.2 cm (plate) 26.8 × 37.0 cm (sheet)

Credit Line
National Gallery of Victoria, Melbourne
Presented by the National Art-Collections Fund, 1919

Gallery location
Not on display

Artwork Details

Place/s of Execution
Madrid, Spain

Catalogue/s Raisonné
Harris 218.III.1

Edition
1st edition

Printing/Publishing
published by Goya, Madrid

Inscription
printed in ink u.r.: 15
inscribed in pencil u.r.: E83
printed in red ink l.l.: CLR (Lugt 595: Rutherston)
printed in blue ink on reverse c.: PUBLIC LIBRARY OF VICTORIA

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Francisco GOYA y Lucientes The famous Martincho places the 'banderillas' playing the bull with the movement of his body (El famoso Martincho poniendo banderillas al quiebro) (c. 1815-1816); published 1816 plate 15 from La Tauromaquia (The Art of Bullfighting) series (c. 1815–16), published 1816

Artwork Details

Related

The art of bullfighting

The way in which the ancient Spaniards hunted bulls on horseback in the open country

Another way of hunting on foot

The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open country

They play another with the cape in an enclosure

The spirited Moor Gazul is the first to spear bulls according to rules

The Moors make a different play in the ring, calling the bull with their burnous

Origin of the harpoons or banderillas

A Moor caught by the bull in the ring

A Spanish knight kills a bull after having lost his horse

Charles V spearing a bull in the ring at Valladolid

The Cid Campeador spearing another bull

The rabble hamstring the bull with lances, sickles, banderillas and other weapons

The very skilful Student of Falces, wrapped in his cape, tricks the bull with the play of his body

The same man throws a bull in the ring at Madrid

The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls

The daring of Martincho in the ring at Zaragoza

Another madness of his in the same ring

Dreadful events in the front rows of the ring at Madrid, and death of the mayor of Torrejon

Manly courage of the celebrated Pajuelera in (the ring) at Zaragoza

Mariano Ceballos, alias The Indian, kills the bull from his horse

The same Ceballos mounted on another bull breaks short spears in the ring at Madrid

They loose dogs on the bull

A picador is unhorsed and falls under the bull

The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid

Pepe Illo making the pass of the recorte

Pedro Romero killing the halted bull

Banderillas with firecrackers

The unlucky death of Pepe Illo in the ring at Madrid

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Francisco GOYA y Lucientes
The famous Martincho places the 'banderillas' playing the bull with the movement of his body
(El famoso Martincho poniendo banderillas al quiebro)
(c. 1815-1816); published 1816
plate 15 from La Tauromaquia (The Art of Bullfighting) series (c. 1815–16), published 1816