About this work
During the late 1890s and the first decade of the twentieth century, Sid Long developed a Symbolist interpretation of the Australian landscape that was largely derived from the English Aesthetic movement and European Art Nouveau. Farm landscape, with its subtle palette and gentle light, shows eucalyptus trees poetically elongated, stylised and silhouetted to form a highly decorative frieze across the picture plane. It reflects Long’s personal interest in developing a visual vocabulary based on the imagination as well as reality.