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Echuca landscape

Echuca landscape
 1962

Medium
oil and tempera on composition board
Credit Line
National Gallery of Victoria, Melbourne
The Joseph Brown Collection. Presented through the NGV Foundation by Dr Joseph Brown AO OBE, Honorary Life Benefactor, 2004
© Estate of Fred Williams
Reproduction requests
Gallery location
Gallery 19
Level 3, NGV Australia

Artwork Details

Medium
oil and tempera on composition board
Measurements
139.0 × 122.3 cm
Place/s of Execution
Melbourne, Victoria
Inscription
inscribed in black paint l.r.: Fred Williams . 62
inscribed in black paint on reverse u.c.: "FOREST" / 1962
inscribed in black ballpoint pen and paint on paper label on reverse u.r.: No · 7 / "FOREST" / TEMPERA+OIL PAINT / 55"x 48" / FRED WILLIAMS.
Accession Number
2004.235
Department
Australian Painting
Credit Line
National Gallery of Victoria, Melbourne
The Joseph Brown Collection. Presented through the NGV Foundation by Dr Joseph Brown AO OBE, Honorary Life Benefactor, 2004
© Estate of Fred Williams
This digital record has been made available on NGV Collection Online through the generous support of The Vizard Foundation
Reproduction requests
Gallery location
Gallery 19
Level 3, NGV Australia
Subjects (general)
Abstract Art Landscapes
Subjects (specific)
colours (hues or tints) lines (artistic concept) Victoria (state)

Discover more

Exhibition
Fred Williams
Learning Resource
The Australian landscape: Inspired by Fred Williams’s You Yangs series
Essay
Tribute to Fred Williams: National Gallery of Victoria, 12 May 1982
Essay
Selected affinities: Fred Williams’s drawings after Rembrandt
Essay
Major early landscape by Fred Williams
Essay
Fred Williams’s Pilbara series
Exhibition
Fred Williams
Exhibition
Treasures from the Australian Prints and Drawings Collection
Exhibition
Heroic Landscape: Williams, Streeton
Exhibition
Landfall
Exhibition
Treasures of a Decade
Essay
Framing the modern: Twentieth-century picture frames in Melbourne and beyond
Essay
Donald Laycock: Star cycle
Exhibition
Luminous
Essay
The violent vision of the 1940s
Essay
An Australian student of Frank Brangwyn: Jessie C. A. Traill in London and Belgium, 1907–1908
Essay
Ocean beach, Sorrento
Essay
Johnny Warangula Tjupurrula: Painting in a changing landscape
Essay
‘The Camera is a Dumb Recording Device’, Robert Rooney and the serial photographs in retrospect
Essay
Enfilade and Intrafilament, the Ian Potter Centre: NGV Australia at Federation Square

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