About this work
For more than six decades James Gleeson explored the realms and possibilities of Surrealism and sought to show that there exists, beyond the obvious and everyday, an alternative reality experienced through dreams, hallucinations and differing mental states. Although dated 1951, The Siamese moon was painted in 1952 and is an eclectic and highly personal mix of images from literary sources and historical references to art and architecture. Following the Second World War, the sense of loss for Gleeson was most poignant when it was linked to sites enshrining the essence of past cultures.