About this work
Ben Nicholson is regarded as the leader of the abstract movement in Britain, as he abandoned his ‘realistic’ treatments of the material world to focus upon the transcendental relationships between forms. From the 1920s he restricted himself to using only circles, squares and rectangles and simplified his palette, briefly eliminating colour altogether. Heralding Nicholson’s return to colour, 1938 was painted while Nicholson and his wife, the sculptor Barbara Hepworth, were sheltering the painter Piet Mondrian in London after he fled encroaching fascism in Europe. Infrared photography reveals a more prominent yellow grid underneath the present composition, anticipating the iconic yellow lattices of Mondrian’s later New York canvases.