PUBL031978

NGV Magazine

NGV Magazine is a bi-monthly magazine featuring writing from NGV and around the world that considers the many ways and reasons that we create, design, speculate and investigate. Learn how artists and designers make things, sink deep into the lives, challenges and achievements of creative people throughout history, and consider the world anew through the many ideas and perspectives explored through art and design.

NGV Magazine print and digital editions are free for NGV Members. Become an NGV Member for exclusive online access to the current issue.

Print editions are available to purchase from the NGV design stores and online store.

Latest issue

Issue 54 Sep–Oct 2025

In this issue of NGV Magazine, we feature the late Italian designer Gaetano Pesce (1939–2024) and the rare 1971 prototype for Pesce’s Moloch lamp that has recently joined the NGV Collection through the Marjorie Joseph-Wilks Bequest. We hear from Pulitzer Prize winning author Sebastian Smee and his research into French Impressionsm as part of his book Paris in Ruins, take a close look at British artist Marlow Moss through a rare 1956–57 work by the artist, Composition yellow, blue, black, red and white, new to the Collection thanks to the John William Fawcett Bequest, and learn why Jean Paul Gaultier designs retain icon status, looking at some haute couture recently gifted to the NGV Collection by Krystyna Campbell Pretty AM and Family through the Australian Government’s Cultural Gifts Program.

Read the digital edition (NGV Members only)

Buy a print copy

Features in this issue

COVER STORY Lighting up Design: Gaetano Pesce

‘Like many of Pesce’s designs projects, the Moloch lamp challenges people’s indifference to their domestic surroundings.’

By Juliet Kinchin

COLLECTION STORIES Marlow Moss

‘Identifying works by Moss, with their slightly differing perfunctory titles and varying measurements, is not without difficulty, but there are two aspects that make this particular work stand out.’

By Dr Lucy Howarth

MELBOURNE WINTER MASTERPIECES®FRENCH IMPRESSIONISM FROM THE MUSEUM OF FINE ARTS, BOSTON Still Life And Studio Practice

‘A greater sense of permanence and timelessness is evoked in the material objects of still life: the pots, plates, cutlery and bottles that populate still lifes, which are often reused again and again with loving
familiarity.’

By Professor Anthea Callen

AT NGV INTERNATIONAL Icon: Jean Paul Gaultier

‘The astonishing beadwork took 358 hours to complete and is a striking example of one of Gaultier’s beloved devices, the use of trompe l’oeil to create irony and illusion.’

By Katie Somerville

AT THE IAN POTTER CENTRE: NGV AUSTRALIA Making Monochrome

‘Currently on display in Wurrdha Marra, the National Gallery of Victoria’s dedicated First Nations gallery, is a suite of works by First Nations women, many of which are on display for the first time, created using tones of black and white.’

By Michael Gentle

COLLECTION STORIES Eugène Atget’s Paris Postcards

‘By the time of Atget’s passing in 1927, the photographer had amassed an extraordinary, encyclopaedic archive of over eight thousand negatives.’

By Maggie Finch