Anne ZAHALKA<br/>
<em>The bathers</em> (1989) <!-- (recto) --><br />
from the <i>Bondi: Playground of the Pacific</i> series 1989<br />
type C photograph<br />
76.4 x 92.5 cm (image)<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1991<br />
PH172-1991<br />
© Anne Zahalka/Licensed by Copyright Agency, Australia
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A History of Photography Three–Week Course

Saturday 11 April, 18 April, & 2 May, 10.30am–1.30pm

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Anne ZAHALKA
The bathers (1989)
from the Bondi: Playground of the Pacific series 1989
type C photograph
76.4 x 92.5 cm (image)
National Gallery of Victoria, Melbourne
Purchased, 1991
PH172-1991
© Anne Zahalka/Licensed by Copyright Agency, Australia
MAN RAY
Rayograph 1924
gelatin silver photograph
29.5 x 23.6 cm (image and sheet)
National Gallery of Victoria, Melbourne
Purchased through The Art Foundation of Victoria with the assistance of Miss Flora MacDonald Anderson and Mrs Ethel Elizabeth Ogilvy Lumsden, Founder Benefactors, 1983
PH136-1983
© Man Ray Trust. ADAGP/Copyright Agency
Dorothea LANGE
Migrant Mother, Nipomo, California (1936); (c. 1975) {printed}
gelatin silver photograph
49.4 x 39.6 cm (image) 50.6 x 40.7 cm (sheet)
National Gallery of Victoria, Melbourne
Purchased, 1975
PH90-1975
Rineke DIJKSTRA
Kolobrzeg, Poland, July 27, 1992 1992; 2023 {printed}
inkjet print
(150.0 x 118.6 cm) (image) (162.5 x 131.1 cm) (sheet)
ed. 1/6
National Gallery of Victoria, Melbourne
Bowness Family Fund for Photography, 2025
2025.34
© Rineke Dijkstra
Henri CARTIER-BRESSON
Behind the Gare St. Lazare, Paris (1932)
gelatin silver photograph
35.6 x 24.4 cm (image) 40.1 x 29.8 cm (sheet)
National Gallery of Victoria, Melbourne
Gift of Krystyna Campbell-Pretty AM and Family through the Australian Government’s Cultural Gifts Program, 2024
2024.102
© Fondation Henri Cartier-Bresson/Magnum Photos
Trevor PAGLEN
Untitled (Reaper drone) 2013
type C photograph
121.9 x 152.4 cm (image and sheet)
ed. 3/5
National Gallery of Victoria, Melbourne
Purchased NGV Foundation, 2014
2014.544
© Trevor Paglen
Harold CAZNEAUX
Beach scene (1929)
gelatin silver photograph
29.9 x 17.9 cm
National Gallery of Victoria, Melbourne
Purchased, 1992
PH208-1992
© The Cazneaux family

NGV International

Clemenger BBDO Auditorium
Ground Level

Hearing loops and accessible seating are available.

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Booking required

$400 Members / $450 Adult / $425 Concession, Student & Educator
+ $5.50 Booking Fee

Enrol in more than one course to receive a 10% discount.

NGV Members, educators and students receive discounted enrolment to all NGV Art School courses.

General enquiries

Ph +61 3 8620 2222
Contact online
9am–5pm, daily

Access

Everyone is welcome at the NGV. We offer a range of accessible resources, facilities, and events. For information, visit our Access webpage or phone; 8620 2222 between 9am-5pm.

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Find out how you can help grow the NGV Collection and deliver engaging programs.

Explore

This introductory three-week course provides a foundation for those beginning their exploration of the history of photography, tracing the medium from its invention in the nineteenth century to its contemporary digital ubiquity.

Developed and facilitated by RMIT University’s Professor Daniel Palmer in collaboration with the NGV, the course enables a close study of significant works in the NGV Collection – Australia’s first art museum with a dedicated photography department – and will consider the key artists, contexts and moments in photography.

By completing this course, participants will be equipped with the skills to understand, analyse and discuss Australian and international photography, and throughout each session will consider how photographs shape the ways we see, understand and remember the world.

Whether you are a photography enthusiast looking to expand your art history knowledge, or simply curious about the history and evolution of photography, this course will deepen your understanding of the medium and how its visual language continues to shape our lives.

About the facilitator

Daniel Palmer is a Professor in the School of Art at RMIT University where he leads the Art History and Theory program. A former curator at the Centre for Contemporary Photography, Palmer, has taught the history and theory of photography for over twenty years at the University of Melbourne, Photography Studies College, Monash University and RMIT University. Well known in Australia and internationally for his writings on photography, Palmer’s books include Installation View: Photography Exhibitions in Australia 1848–2020 (Perimeter Editions 2021) with Martyn Jolly; Photography and Collaboration: From Conceptual Art to Crowdsourcing (Bloomsbury 2017); The Culture of Photography in Public Space (Intellect 2015), edited with Anne Marsh and Melissa Miles; and Twelve Australian Photo Artists (Piper Press, 2009), co-authored with Blair French. The recipient of multiple awards and grants, his scholarly writings on photography and contemporary art have appeared in journals such as Photographies, Philosophy of Photography, History of Photography and Photography and Culture.

Learning objectives

Upon completion of this course, participants will be able to:

  • Understand key moments, movements, and critical debates in the history of photography
  • Learn and apply foundational concepts from photographic theory to the interpretation of images
  • Critically explore and consider contemporary debates around photography in digital and networked culture

What is the course format?

Each week will include illustrated presentations by the course facilitator, Daniel Palmer, plus informal talks and conversations with a weekly guest speaker to further unpack that week’s topic. Sessions will be held in person in the Clemenger BBDO Auditorium at NGV International.

Participants will also receive a resource pack ahead of the first session. The pack will include a course overview, a list of key artworks, a recommended reading list and self-guided activities to deepen engagement with the themes explored.

When is this course?

The course will take place on Saturday mornings on 11 April, 18 April and 2 May.

Sessions will run from 10.30am–1.30pm and will be held onsite at NGV International in the Clemenger BBDO Auditorium.

Pricing

$400 Members / $450 Adult / $425 Concession, Student & Educator
+ $5.50 Booking Fee

Enrol in more than one course to receive a 10% discount.

NGV Members, educators and students receive discounted enrolment to all NGV Art School courses.

Your course enrolment includes access to three in-person sessions at NGV International on 11 April, 18 April and 2 May plus a resource pack featuring a list of key artworks, a recommended reading list and self-guided activities to support your learning.

You will also receive a ticket to see the Women Photographers 1900–1975: A Legacy of Light exhibition in your own time, on display at NGV International until 3 May 2026.

Information for Teachers & Educators

A History of Photography Through the NGV Collection offers an inspiring and creative professional learning opportunity for teachers of all levels and subjects. This course meets the following AITSL standards:

  • Know the content and how to teach it (2.1)
  • Engage in professional learning (6.1)
  • Engage professionally with colleagues, parents/carers and the community (7.4)

A certificate of professional learning is available on request.


This course is part of NGV Art School – your one-stop resource for inspiration, creative skill-building and immersion in art and art history. Join us for in-Gallery and online courses, practical artist-led classes, and tailored learning experiences led by curators and specialist educators.

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