Salon Artwork Listing

John Everett MILLAIS<br/>
<em>Diana Vernon</em> 1880 <!-- (recto) --><br />

oil on canvas<br />
127.3 x 98.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1914<br />
587-2<br />

<!--4184--><br/><a class="col-link block" href="/explore/collection/work/4184"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> John Everett MILLAIS
Diana Vernon
1880
Jules LEFEBVRE<br/>
<em>The grasshopper</em> 1872 <!-- (recto) --><br />
<em>(La Cigale)</em><br />
oil on canvas<br />
186.7 x 123.8 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 2005<br />
2005.237<br />

<!--76694--><br/><a class="col-link block" href="/explore/collection/work/76694"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Jules LEFEBVRE
The grasshopper
(La Cigale)
1872
G. F. WATTS<br/>
<em>Alfred Tennyson</em> (1858) <!-- (recto) --><br />

oil on wood panel<br />
61.0 x 50.4 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1888<br />
p.312.9-1<br />

<!--4462--><br/><a class="col-link block" href="/explore/collection/work/4462"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> G. F. WATTS
Alfred Tennyson
(1858)
Henry SINGLETON<br/>
<em>Imogen found by Arviragus, Belarius and Guiderus in the forest</em> (c. 1790-1795) <!-- (recto) --><br />

oil on canvas<br />
63.8 x 76.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased through the NGV Foundation with the assistance of the Ian Edgeworth McLean Bequest, Founder Benefactor, 2002<br />
2002.416<br />

<!--73664--><br/><a class="col-link block" href="/explore/collection/work/73664"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Henry SINGLETON
Imogen found by Arviragus, Belarius and Guiderus in the forest
(c. 1790-1795)
Johan Joseph ZOFFANY<br/>
<em>Roman Charity</em> (c. 1769) <!-- (recto) --><br />

oil on canvas<br />
76.3 x 63.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1932<br />
4614-3<br />

<!--4493--><br/><a class="col-link block" href="/explore/collection/work/4493"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Johan Joseph ZOFFANY
Roman Charity
(c. 1769)
Gustave COURBET<br/>
<em>The wave</em> (c. 1872) <!-- (recto) --><br />
<em>(La Vague)</em><br />
oil on canvas<br />
54.2 x 73.1 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1924<br />
1309-3<br />

<!--3880--><br/><a class="col-link block" href="/explore/collection/work/3880"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Gustave COURBET
The wave
(La Vague)
(c. 1872)
Eleanor BELL<br/>
<em>Grandmother's reading lesson</em> (c. 1880) <!-- (recto) --><br />

oil on canvas<br />
74.7 x 106.2 cm<br />
National Gallery of Victoria, Melbourne<br />
Presented by friends of the artist, 1885<br />
p.311.2-1<br />

<!--3778--><br/><a class="col-link block" href="/explore/collection/work/3778"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Eleanor BELL
Grandmother's reading lesson
(c. 1880)
Eugène-Ernest HILLEMACHER<br/>
<em>Psyche in the Underworld</em> 1865 <!-- (recto) --><br />
<em>(Psyché aux enfers)</em><br />
oil on canvas<br />
117.0 x 90.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of Gustave Curcier Esq., 1872<br />
p.303.6-1<br />

<!--4048--><br/><a class="col-link block" href="/explore/collection/work/4048"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Eugène-Ernest HILLEMACHER
Psyche in the Underworld
(Psyché aux enfers)
1865
Henry FUSELI<br/>
<em>Milton, when a youth</em> (c. 1796-1799) <!-- (recto) --><br />

oil on canvas<br />
128.0 x 103.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1981<br />
E1-1981<br />

<!--3969--><br/><a class="col-link block" href="/explore/collection/work/3969"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Henry FUSELI
Milton, when a youth
(c. 1796-1799)
Jožef TOMINC<br/>
<em>Man in Ottoman dress</em> (1830-1840) <!-- (recto) --><br />

oil on canvas<br />
76.3 x 61.2 cm (image) 76.8 x 61.5 cm (canvas)<br />
National Gallery of Victoria, Melbourne<br />
Purchased with funds donated by Luisa, Simona and Luca Valmorbida in memory of Carlo Valmorbida, 2010<br />
2010.363<br />

<!--96582--><br/><a class="col-link block" href="/explore/collection/work/96582"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Jožef TOMINC
Man in Ottoman dress
(1830-1840)
Frank BRANGWYN<br/>
<em>In a Turkish garden</em> (c. 1890) <!-- (recto) --><br />

oil on wood panel<br />
73.8 x 63.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of Mr John H. Connell, 1914<br />
658-2<br />
© the Artist's Estate. All Rights Reserved / Bridgeman Images
<!--3815--><br/><a class="col-link block" href="/explore/collection/work/3815"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Frank BRANGWYN
In a Turkish garden
(c. 1890)
Jacob MARIS<br/>
<em>Street scene, Holland</em> (c. 1885) <!-- (recto) --><br />

oil on wood panel<br />
28.6 x 22.2 cm<br />
National Gallery of Victoria, Melbourne<br />
Bequest of Dr Lilian Alexander, 1934<br />
208-4<br />

<!--4165--><br/><a class="col-link block" href="/explore/collection/work/4165"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Jacob MARIS
Street scene, Holland
(c. 1885)
Gustave DORÉ<br/>
<em>Little Red Riding Hood</em> (c. 1862) <!-- (recto) --><br />

oil on canvas<br />
65.3 x 81.7 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of Mrs S. Horne, 1962<br />
1061-5<br />

<!--3918--><br/><a class="col-link block" href="/explore/collection/work/3918"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Gustave DORÉ
Little Red Riding Hood
(c. 1862)
UNKNOWN (after)<br />
 Thomas LAWRENCE (after)<br/>
<em>Arthur Wellesley, 1st Duke of Wellington</em> before 1900 <!-- (recto) --><br />

oil on wood panel<br />
30.5 x 23.9 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1943<br />
1208-4<br />

<!--4124--><br/><a class="col-link block" href="/explore/collection/work/4124"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> UNKNOWN (after) Thomas LAWRENCE (after)
Arthur Wellesley, 1st Duke of Wellington
before 1900
Eugène DELACROIX<br/>
<em>The confession of the Giaour</em> (c. 1825-1840) <!-- (recto) --><br />
<em>(Confession du Giaour)</em><br />
oil on canvas<br />
23.8 x 32.2 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1910<br />
489-2<br />

<!--3907--><br/><a class="col-link block" href="/explore/collection/work/3907"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Eugène DELACROIX
The confession of the Giaour
(Confession du Giaour)
(c. 1825-1840)
John CROME<br/>
<em>Woodland path</em> (c. 1820) <!-- (recto) --><br />

oil on wood panel<br />
51.0 x 42.3 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1938<br />
454-4<br />

<!--3890--><br/><a class="col-link block" href="/explore/collection/work/3890"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> John CROME
Woodland path
(c. 1820)
Benjamin Robert HAYDON<br/>
<em>Marcus Curtius</em> (c. 1842-1843) <!-- (recto) --><br />

oil on canvas on composition board<br />
76.5 x 63.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1897<br />
40-2<br />

<!--4018--><br/><a class="col-link block" href="/explore/collection/work/4018"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Benjamin Robert HAYDON
Marcus Curtius
(c. 1842-1843)
Honoré DAUMIER<br/>
<em>Don Quixote reading</em> (c. 1867) <!-- (recto) --><br />
<em>(Don Quixote lisant)</em><br />
oil on wood panel<br />
33.6 x 26.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1923<br />
1276-3<br />

<!--3898--><br/><a class="col-link block" href="/explore/collection/work/3898"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Honoré DAUMIER
Don Quixote reading
(Don Quixote lisant)
(c. 1867)
Robert DOWLING<br/>
<em>A Sheikh and his son entering Cairo on their return from a pilgrimage to Mecca</em> 1874 <!-- (recto) --><br />

oil on canvas<br />
139.3 x 244.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Presented by a committee of gentlemen, 1878<br />
p.306.7-1<br />

<!--5508--><br/><a class="col-link block" href="/explore/collection/work/5508"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Robert DOWLING
A Sheikh and his son entering Cairo on their return from a pilgrimage to Mecca
1874
FRANCE<br />
 Théodore GERICAULT (manner of)<br/>
<em>The Entombment</em> (c. 1820) <!-- (recto) --><br />

oil on canvas<br />
80.5 x 64.7 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1953<br />
3028-4<br />

<!--3977--><br/><a class="col-link block" href="/explore/collection/work/3977"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> FRANCE Théodore GERICAULT (manner of)
The Entombment
(c. 1820)
Arnold BÖCKLIN<br/>
<em>In springtime</em> (1873) <!-- (recto) --><br />
<em>(Im Frühling)</em><br />
oil on canvas<br />
104.5 x 78.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1977<br />
EA7-1977<br />

<!--3796--><br/><a class="col-link block" href="/explore/collection/work/3796"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Arnold BÖCKLIN
In springtime
(Im Frühling)
(1873)
William Holman HUNT<br/>
<em>The importunate neighbour</em> 1895 <!-- (recto) --><br />

oil on canvas<br />
36.4 x 51.7 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1905<br />
205-2<br />

<!--4074--><br/><a class="col-link block" href="/explore/collection/work/4074"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> William Holman HUNT
The importunate neighbour
1895
Edith COURTAULD<br/>
<em>Memories of the first Palm Sunday</em> 1871 <!-- (recto) --><br />

oil on canvas<br />
84.0 x 160.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1872<br />
p.303.4-1<br />

<!--3884--><br/><a class="col-link block" href="/explore/collection/work/3884"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Edith COURTAULD
Memories of the first Palm Sunday
1871
Ary SCHEFFER<br/>
<em>Christ and the Maries (The Entombment)</em> 1854 <!-- (recto) --><br />

oil on wood panel<br />
55.4 x 45.6 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of Henry Wagner, 1925<br />
1426-3<br />

<!--4342--><br/><a class="col-link block" href="/explore/collection/work/4342"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Ary SCHEFFER
Christ and the Maries (The Entombment)
1854
Jean-Auguste-Dominique INGRES<br/>
<em>Virgin of the Adoption</em> 1858 <!-- (recto) --><br />

oil on canvas<br />
69.5 x 56.8 cm<br />
National Gallery of Victoria, Melbourne<br />
In honour of Professor Emeritus Sir Gustav Nossal AC, CBE, FAA, FRS, Chairman of The Felton Bequests’ Committee from 1975 to 2004. Felton Bequest, 2005<br />
2005.164<br />

<!--74797--><br/><a class="col-link block" href="/explore/collection/work/74797"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Jean-Auguste-Dominique INGRES
Virgin of the Adoption
1858
Louise BOUTEILLER<br/>
<em>Césarine de Houdetot, Baronne de Barante, reading Paul et Virginie</em> 1818 <!-- (recto) --><br />

oil on canvas<br />
193.5 x 143.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased with funds donated by Peter and Anne Greenham, Ross Adler AC and Fiona Adler, Alan and Mavourneen Cowen, donors to the 2017 NGV Foundation Annual Dinner and 2017 NGV Annual Appeal, 2018<br />
2018.187<br />

<!--127946--><br/><a class="col-link block" href="/explore/collection/work/127946"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Louise BOUTEILLER
Césarine de Houdetot, Baronne de Barante, reading Paul et Virginie
1818
Ugo CATANI<br/>
<em>Lent</em> (1888) <!-- (recto) --><br />
<em>(Carême)</em><br />
oil on canvas<br />
111.4 x 64.1 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased with the assistance of the K. M. Christensen and A. E. Bond Bequest, 2007<br />
2007.2<br />

<!--83901--><br/><a class="col-link block" href="/explore/collection/work/83901"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Ugo CATANI
Lent
(Carême)
(1888)
Ary SCHEFFER<br/>
<em>The temptation of Christ</em> 1854 <!-- (recto) --><br />

oil on canvas<br />
75.5 x 55.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1886<br />
p.311.9-1<br />

<!--4343--><br/><a class="col-link block" href="/explore/collection/work/4343"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Ary SCHEFFER
The temptation of Christ
1854
Mariano Salvador MAELLA<br/>
<em>Portrait of a lady</em> (c. 1810) <!-- (recto) --><br />

oil on canvas<br />
84.2 x 70.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1926<br />
1963-3<br />

<!--3989--><br/><a class="col-link block" href="/explore/collection/work/3989"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Mariano Salvador MAELLA
Portrait of a lady
(c. 1810)
Walter SICKERT<br/>
<em>The raising of Lazarus</em> (1928-1929) <!-- (recto) --><br />

oil on canvas<br />
244.2 x 92.1 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1947<br />
1705-4<br />

<!--4358--><br/><a class="col-link block" href="/explore/collection/work/4358"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Walter SICKERT
The raising of Lazarus
(1928-1929)
William ROTHENSTEIN<br/>
<em>Portrait of my parents</em> 1900 <!-- (recto) --><br />
<em>(Porträt meiner Eltern)</em><br />
oil on canvas<br />
78.2 x 88.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of Ofer Elboher through the Australian Government's Cultural Gifts Program, 2018<br />
2018.837<br />

<!--133487--><br/><a class="col-link block" href="/explore/collection/work/133487"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> William ROTHENSTEIN
Portrait of my parents
(Porträt meiner Eltern)
1900
Jean Charles CAZIN<br/>
<em>The rainbow</em> (late 1880s) <!-- (recto) --><br />
<em>(L'Arc-en-ciel)</em><br />
oil on canvas<br />
50.8 x 62.2 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1913<br />
564-2<br />

<!--3842--><br/><a class="col-link block" href="/explore/collection/work/3842"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Jean Charles CAZIN
The rainbow
(L'Arc-en-ciel)
(late 1880s)
Alfred MUNNINGS<br/>
<em>The departure of the hop pickers</em> (c. 1913) <!-- (recto) --><br />

oil on canvas<br />
91.5 x 101.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1923<br />
1285-3<br />
© Estate of Alfred Munnings/DACS, London. Licensed by Copyright Agency, Australia
<!--4201--><br/><a class="col-link block" href="/explore/collection/work/4201"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Alfred MUNNINGS
The departure of the hop pickers
(c. 1913)
John MOGFORD<br/>
<em>Watergate Bay, near Newquay, Cornwall</em> 1864 <!-- (recto) --><br />

oil on canvas<br />
38.5 x 76.1 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased by the Commissioners of Fine Arts for Victoria, 1864<br />
p.301.2-1<br />

<!--4188--><br/><a class="col-link block" href="/explore/collection/work/4188"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> John MOGFORD
Watergate Bay, near Newquay, Cornwall
1864
Henry PETHER<br/>
<em>Moonlight, Westminster</em> 1858 <!-- (recto) --><br />

oil on canvas on composition board<br />
60.5 x 91.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Presented through The Art Foundation of Victoria by Sir Thomas and Lady Travers, Governors, 1985<br />
E1-1985<br />

<!--4249--><br/><a class="col-link block" href="/explore/collection/work/4249"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Henry PETHER
Moonlight, Westminster
1858
James TISSOT<br/>
<em>An interesting story</em> (c. 1872) <!-- (recto) --><br />

oil on mahogany panel<br />
59.2 x 76.6 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1938<br />
536-4<br />

<!--4412--><br/><a class="col-link block" href="/explore/collection/work/4412"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> James TISSOT
An interesting story
(c. 1872)
Frank WALTON<br/>
<em>'Summer has gone on swallows' wings'</em> (c. 1890) <!-- (recto) --><br />

oil on canvas<br />
152.7 x 121.8 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1892<br />
p.398.2-1<br />

<!--4453--><br/><a class="col-link block" href="/explore/collection/work/4453"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Frank WALTON
'Summer has gone on swallows' wings'
(c. 1890)
Johann Jakob DORNER I<br/>
<em>The hard landlady</em> 1787 <!-- (recto) --><br />

oil on copper<br />
35.5 x 45.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1936<br />
347-4<br />

<!--3919--><br/><a class="col-link block" href="/explore/collection/work/3919"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Johann Jakob DORNER I
The hard landlady
1787
Narcisse DIAZ<br/>
<em>A forest clearing</em> (c. 1870) <!-- (recto) --><br />
<em>(Une Clairière dans la forêt)</em><br />
oil on wood panel<br />
30.0 x 40.8 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1955<br />
3258-4<br />

<!--4245--><br/><a class="col-link block" href="/explore/collection/work/4245"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Narcisse DIAZ
A forest clearing
(Une Clairière dans la forêt)
(c. 1870)
Jehan Georges VIBERT<br/>
<em>The siesta</em> 1862 <!-- (recto) --><br />
<em>(La Sieste)</em><br />
oil on canvas<br />
73.4 x 99.4 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased by the Commissioners of Fine Arts for Victoria, 1864<br />
p.301.8-1<br />

<!--4436--><br/><a class="col-link block" href="/explore/collection/work/4436"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Jehan Georges VIBERT
The siesta
(La Sieste)
1862
Gerard PORTIELJE<br/>
<em>The old bachelor</em> 1885 <!-- (recto) --><br />

oil on wood panel<br />
37.2 x 28.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Bequest of Alfred Felton, 1904<br />
137-2<br />

<!--4268--><br/><a class="col-link block" href="/explore/collection/work/4268"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Gerard PORTIELJE
The old bachelor
1885
George LANCE<br/>
<em>Still life</em> 1830 <!-- (recto) --><br />

oil on canvas<br />
46.5 x 35.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1883<br />
p.308.11-1<br />

<!--4115--><br/><a class="col-link block" href="/explore/collection/work/4115"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> George LANCE
Still life
1830
Otto WEBER<br/>
<em>The first snow on the alpine pastures</em> (1866) <!-- (recto) --><br />
<em>(La Première Neige sur l'Alm)</em><br />
oil on canvas<br />
118.5 x 222.7 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1868<br />
p.301.9-1<br />

<!--4467--><br/><a class="col-link block" href="/explore/collection/work/4467"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Otto WEBER
The first snow on the alpine pastures
(La Première Neige sur l'Alm)
(1866)
Lucy KEMP-WELCH<br/>
<em>Horses bathing in the sea</em> 1900 <!-- (recto) --><br />

oil on canvas<br />
152.9 x 306.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1900<br />
93-2<br />
© Estate of Lucy Kemp-Welch
<!--4100--><br/><a class="col-link block" href="/explore/collection/work/4100"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Lucy KEMP-WELCH
Horses bathing in the sea
1900
John Macallan SWAN<br/>
<em>African panthers</em> (1891) <!-- (recto) --><br />

oil on canvas<br />
35.6 x 61.4 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1892<br />
p.397.4-1<br />

<!--4397--><br/><a class="col-link block" href="/explore/collection/work/4397"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> John Macallan SWAN
African panthers
(1891)
Eyre CROWE<br/>
<em>A sheep shearing match</em> 1875 <!-- (recto) --><br />

oil on canvas<br />
37.5 x 83.1 cm<br />
National Gallery of Victoria, Melbourne<br />
Presented through the NGV Foundation by Ms Deidre Cowan, Governor, 2002<br />
2002.162<br />

<!--70606--><br/><a class="col-link block" href="/explore/collection/work/70606"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Eyre CROWE
A sheep shearing match
1875
Jonathan PRATT<br/>
<em>James Watt's workshop</em> 1886 <!-- (recto) --><br />

oil on canvas<br />
40.5 x 51.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of Messers George and Richard Tangye, 1889<br />
p.314.1-1<br />

<!--4274--><br/><a class="col-link block" href="/explore/collection/work/4274"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Jonathan PRATT
James Watt's workshop
1886
Robert BUSS<br/>
<em>The monopolist</em> 1840 <!-- (recto) --><br />

oil on canvas<br />
51.1 x 61.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1877<br />
p.305.10-1<br />

<!--3825--><br/><a class="col-link block" href="/explore/collection/work/3825"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Robert BUSS
The monopolist
1840
Peter GRAHAM<br/>
<em>An easterly breeze</em> 1887 <!-- (recto) --><br />

oil on canvas<br />
107.7 x 183.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1887<br />
p.312.2-1<br />

<!--3992--><br/><a class="col-link block" href="/explore/collection/work/3992"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Peter GRAHAM
An easterly breeze
1887
James WEBB<br/>
<em>Lock on the Thames</em> 1885 <!-- (recto) --><br />

oil on canvas<br />
139.5 x 122.6 cm<br />
National Gallery of Victoria, Melbourne<br />
Bequest of Alfred Felton, 1904<br />
140-2<br />

<!--4465--><br/><a class="col-link block" href="/explore/collection/work/4465"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> James WEBB
Lock on the Thames
1885
Charles Meer WEBB<br/>
<em>Checkmate</em> 1866 <!-- (recto) --><br />

oil on canvas<br />
55.1 x 68.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1870<br />
p.302.9-1<br />

<!--4463--><br/><a class="col-link block" href="/explore/collection/work/4463"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Charles Meer WEBB
Checkmate
1866
Keeley HALSWELLE<br/>
<em>Green-robed senators</em> (c. 1880) <!-- (recto) --><br />

oil on canvas<br />
65.8 x 39.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Bequest of Alfred Felton, 1904<br />
148-2<br />

<!--4008--><br/><a class="col-link block" href="/explore/collection/work/4008"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Keeley HALSWELLE
Green-robed senators
(c. 1880)
Edmond TSCHAGGENY<br/>
<em>Sheep in repose</em> 1864 <!-- (recto) --><br />

oil on canvas<br />
75.0 x 110.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased by the Commissioners of Fine Arts for Victoria, 1864<br />
p.301.6-1<br />

<!--4420--><br/><a class="col-link block" href="/explore/collection/work/4420"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Edmond TSCHAGGENY
Sheep in repose
1864
Arthur LEMON<br/>
<em>Corn threshing in Tuscany</em> (c. 1886) <!-- (recto) --><br />

oil on canvas<br />
71.7 x 154.8 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of Mr William Drummond, 1914<br />
756-2<br />

<!--4136--><br/><a class="col-link block" href="/explore/collection/work/4136"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Arthur LEMON
Corn threshing in Tuscany
(c. 1886)
Frederick WALKER<br/>
<em>The right of way</em> (1875) <!-- (recto) --><br />

oil on canvas<br />
78.5 x 112.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1891<br />
p.395.3-1<br />

<!--4448--><br/><a class="col-link block" href="/explore/collection/work/4448"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Frederick WALKER
The right of way
(1875)
Richard BEAVIS<br/>
<em>The charcoal burners</em> (1874) <!-- (recto) --><br />

oil on canvas<br />
87.0 x 124.8 cm<br />
National Gallery of Victoria, Melbourne<br />
Bequest of Alfred Felton, 1904<br />
135-2<br />

<!--3774--><br/><a class="col-link block" href="/explore/collection/work/3774"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Richard BEAVIS
The charcoal burners
(1874)
August Friedrich Albrecht SCHENCK<br/>
<em>Anguish</em> (c. 1878) <!-- (recto) --><br />
<em>(Angoisse)</em><br />
oil on canvas<br />
151.0 x 251.2 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1880<br />
p.307.6-1<br />

<!--4344--><br/><a class="col-link block" href="/explore/collection/work/4344"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> August Friedrich Albrecht SCHENCK
Anguish
(Angoisse)
(c. 1878)
Benjamin Williams LEADER<br/>
<em>In the fields</em> 1863 <!-- (recto) --><br />

oil on canvas on wood panel<br />
70.0 x 105.2 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1873<br />
p.304.5-1<br />

<!--4129--><br/><a class="col-link block" href="/explore/collection/work/4129"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Benjamin Williams LEADER
In the fields
1863
Peter GRAHAM<br/>
<em>Autumnal showers</em> 1869 <!-- (recto) --><br />

oil on canvas<br />
124.7 x 174.8 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1869<br />
p.302.7-1<br />

<!--3991--><br/><a class="col-link block" href="/explore/collection/work/3991"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Peter GRAHAM
Autumnal showers
1869
Edwin EDWARDS<br/>
<em>Southwold, Suffolk</em> (c. 1875) <!-- (recto) --><br />

oil on canvas<br />
48.6 x 89.2 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of Mrs Edwards, 1905<br />
241-2<br />

<!--3932--><br/><a class="col-link block" href="/explore/collection/work/3932"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Edwin EDWARDS
Southwold, Suffolk
(c. 1875)
Anton BRAITH<br/>
<em>Shepherdess with sheep and goats</em> 1874 <!-- (recto) --><br />

oil on wood panel<br />
41.0 x 70.1 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of John H. Connell, 1914<br />
693-2<br />

<!--3812--><br/><a class="col-link block" href="/explore/collection/work/3812"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Anton BRAITH
Shepherdess with sheep and goats
1874
Keeley HALSWELLE<br/>
<em>Welcome shade</em> 1884 <!-- (recto) --><br />

oil on canvas<br />
105.0 x 181.9 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1887<br />
p.312.4-1<br />

<!--4010--><br/><a class="col-link block" href="/explore/collection/work/4010"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Keeley HALSWELLE
Welcome shade
1884
William Quiller ORCHARDSON<br/>
<em>The first cloud</em> 1887 <!-- (recto) --><br />

oil on canvas<br />
134.8 x 193.7 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1887<br />
p.312.1-1<br />

<!--4224--><br/><a class="col-link block" href="/explore/collection/work/4224"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> William Quiller ORCHARDSON
The first cloud
1887
Frank HOLL<br/>
<em>Widowed</em> 1879 <!-- (recto) --><br />

oil on canvas<br />
84.3 x 115.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1931<br />
4466-3<br />

<!--4058--><br/><a class="col-link block" href="/explore/collection/work/4058"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Frank HOLL
Widowed
1879
Paul Falconer POOLE<br/>
<em>The emigrants' departure</em> (1838) <!-- (recto) --><br />

oil on wood panel<br />
67.9 x 91.4 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of Patricia Macdonald to commemorate the 150th Anniversary of the NGV through the Australian Government's Cultural Gifts Program, 2011<br />
2011.324<br />

<!--68867--><br/><a class="col-link block" href="/explore/collection/work/68867"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Paul Falconer POOLE
The emigrants' departure
(1838)
Frank DICKSEE<br/>
<em>The crisis</em> 1891 <!-- (recto) --><br />

oil on canvas<br />
122.4 x 158.1 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1891<br />
p.396.2-1<br />

<!--3915--><br/><a class="col-link block" href="/explore/collection/work/3915"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Frank DICKSEE
The crisis
1891
James STARK (attributed to)<br/>
<em>Landscape with a donkey</em> (mid 19th century) <!-- (recto) --><br />

oil on canvas<br />
37.0 x 31.8 cm<br />
National Gallery of Victoria, Melbourne<br />
Bequest of W.C.C. Cain, 1950<br />
2334-4<br />

<!--4381--><br/><a class="col-link block" href="/explore/collection/work/4381"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> James STARK (attributed to)
Landscape with a donkey
(mid 19th century)
Henry GRITTEN<br/>
<em>Coblenz</em> 1870 <!-- (recto) --><br />

oil on canvas<br />
33.1 x 48.8 cm<br />
National Gallery of Victoria, Melbourne<br />
Presented through The Art Foundation of Victoria by Mrs Margaret Howie, Governor, 1999<br />
1999.110<br />

<!--65986--><br/><a class="col-link block" href="/explore/collection/work/65986"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Henry GRITTEN
Coblenz
1870
G. J. PINWELL<br/>
<em>The quarrel: Old cross</em> (c. 1870) <!-- (recto) --><br />

oil on canvas<br />
98.5 x 130.1 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1909<br />
468-2<br />

<!--4257--><br/><a class="col-link block" href="/explore/collection/work/4257"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> G. J. PINWELL
The quarrel: Old cross
(c. 1870)
Thomas FAED<br/>
<em>The mitherless bairn</em> 1855 <!-- (recto) --><br />

oil on wood panel<br />
63.2 x 90.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1886<br />
p.311.11-1<br />

<!--3947--><br/><a class="col-link block" href="/explore/collection/work/3947"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Thomas FAED
The mitherless bairn
1855
G. F. WATTS<br/>
<em>The Ulster coat</em> (c. 1874) <!-- (recto) --><br />

oil on canvas<br />
71.2 x 30.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of Frederick Davidson AM and Mary Davidson through the Australian Government’s Cultural Gifts Program, 2015<br />
2015.756<br />

<!--118012--><br/><a class="col-link block" href="/explore/collection/work/118012"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> G. F. WATTS
The Ulster coat
(c. 1874)
E. Borough JOHNSON<br/>
<em>A Salvation Army shelter</em> 1891 <!-- (recto) --><br />

oil on canvas<br />
61.6 x 97.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, l892<br />
p.399.2-1<br />

<!--4093--><br/><a class="col-link block" href="/explore/collection/work/4093"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> E. Borough JOHNSON
A Salvation Army shelter
1891
Thomas Cooper GOTCH<br/>
<em>Mental arithmetic</em> 1883 <!-- (recto) --><br />

oil on canvas<br />
153.5 x 123.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of J. S. Gotch Esq., 1884<br />
p.309.5-1<br />

<!--3987--><br/><a class="col-link block" href="/explore/collection/work/3987"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Thomas Cooper GOTCH
Mental arithmetic
1883
John Henry LORIMER<br/>
<em>A lullaby</em> 1889 <!-- (recto) --><br />

oil on canvas<br />
137.7 x 99.7 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1921<br />
1132-3<br />

<!--4149--><br/><a class="col-link block" href="/explore/collection/work/4149"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> John Henry LORIMER
A lullaby
1889
E. Borough JOHNSON<br/>
<em>A Salvation Army shelter</em> 1891 <!-- (recto) --><br />

oil on canvas<br />
61.6 x 97.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, l892<br />
p.399.2-1<br />

<!--4093--><br/><a class="col-link block" href="/explore/collection/work/4093"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> E. Borough JOHNSON
A Salvation Army shelter
1891
J. C. WAITE<br/>
<em>Coaxing ways</em>  <!-- (recto) --><br />

oil on canvas<br />
60.8 x 50.9 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1895<br />
16-2<br />

<!--3166--><br/><a class="col-link block" href="/explore/collection/work/3166"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> J. C. WAITE
Coaxing ways
John Everett MILLAIS<br/>
<em>Cecil Webb</em> 1887 <!-- (recto) --><br />

oil on canvas<br />
123.7 x 83.4 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of the David Blanche family and Michael Blanche family in memory of Arthur and Yvonne Blanche through the Australian Government's Cultural Gifts Program, 2009<br />
2009.413<br />

<!--89923--><br/><a class="col-link block" href="/explore/collection/work/89923"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> John Everett MILLAIS
Cecil Webb
1887
José Júlio de SOUSA-PINTO<br/>
<em>In the fields</em> 1892 <!-- (recto) --><br />
<em>(Dans les champs)</em><br />
oil on canvas<br />
93.0 x 73.9 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1893<br />
p.399.6-1<br />

<!--4375--><br/><a class="col-link block" href="/explore/collection/work/4375"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> José Júlio de SOUSA-PINTO
In the fields
(Dans les champs)
1892
George COATES<br/>
<em>Motherhood</em> (1903) <!-- (recto) --><br />

oil on canvas<br />
283.4 x 140.0 cm (framed) (overall)<br />
National Gallery of Victoria, Melbourne<br />
Presented by the artist under the terms of the National Gallery of Victoria Travelling Scholarship, 1904<br />
134-2<br />

<!--4805--><br/><a class="col-link block" href="/explore/collection/work/4805"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> George COATES
Motherhood
(1903)
Francis TATTEGRAIN<br/>
<em>The convalescent</em> (1884) <!-- (recto) --><br />
<em>(Convalescente)</em><br />
oil on canvas<br />
81.7 x 117.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of William Dean Esq., 1885<br />
p.310.8-1<br />

<!--4400--><br/><a class="col-link block" href="/explore/collection/work/4400"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Francis TATTEGRAIN
The convalescent
(Convalescente)
(1884)
Robert HERDMAN<br/>
<em>A fern gatherer - West Highlands</em> (1864) <!-- (recto) --><br />

oil on canvas<br />
70.2 x 60.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased by the Commissioners of Fine Arts for Victoria, 1864<br />
p.300.15-1<br />

<!--4031--><br/><a class="col-link block" href="/explore/collection/work/4031"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Robert HERDMAN
A fern gatherer - West Highlands
(1864)
Frank HOLL<br/>
<em>The daughter of the house</em> 1879 <!-- (recto) --><br />

oil on canvas<br />
46.5 x 60.3 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1920<br />
1070-3<br />

<!--4056--><br/><a class="col-link block" href="/explore/collection/work/4056"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Frank HOLL
The daughter of the house
1879
Charles WHEELER<br/>
<em>The poem</em> 1910 <!-- (recto) --><br />

oil on canvas<br />
183.4 x 138.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1910<br />
547-2<br />
© Estate of Charles Wheeler
<!--3198--><br/><a class="col-link block" href="/explore/collection/work/3198"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Charles WHEELER
The poem
1910
Peter GRAHAM<br/>
<em>After the Massacre of Glencoe</em> 1889 <!-- (recto) --><br />

oil on canvas<br />
123.2 x 175.8 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of James Graham Esq., 1889<br />
p.315.1-1<br />

<!--3990--><br/><a class="col-link block" href="/explore/collection/work/3990"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Peter GRAHAM
After the Massacre of Glencoe
1889
Jules BASTIEN-LEPAGE<br/>
<em>October</em> 1878 <!-- (recto) --><br />
<em>(Saison d'octobre)</em><br />
oil on canvas<br />
180.7 x 196.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1928<br />
3678-3<br />

<!--3768--><br/><a class="col-link block" href="/explore/collection/work/3768"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Jules BASTIEN-LEPAGE
October
(Saison d'octobre)
1878
Edwin LANDSEER<br/>
<em>The Earl and Countess of Sefton and daughter, with horses and dogs</em> (1846) <!-- (recto) --><br />

oil on canvas<br />
182.4 x 286.2 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1948<br />
1825-4<br />

<!--4117--><br/><a class="col-link block" href="/explore/collection/work/4117"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Edwin LANDSEER
The Earl and Countess of Sefton and daughter, with horses and dogs
(1846)
Keeley HALSWELLE<br/>
<em>The heart of the Coolins, Isle of Skye</em> 1886 <!-- (recto) --><br />

oil on canvas<br />
112.8 x 184.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1888<br />
p.312.3-1<br />

<!--4009--><br/><a class="col-link block" href="/explore/collection/work/4009"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Keeley HALSWELLE
The heart of the Coolins, Isle of Skye
1886
Richard ANSDELL<br />
 Thomas CRESWICK<br/>
<em>England</em> 1850 <!-- (recto) --><br />

oil on canvas<br />
123.3 x 184.8 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1878<br />
p.306.6-1<br />

<!--3754--><br/><a class="col-link block" href="/explore/collection/work/3754"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Richard ANSDELL Thomas CRESWICK
England
1850
John LINNELL<br/>
<em>Wheat</em> (1860) <!-- (recto) --><br />

oil on canvas<br />
94.2 x 140.6 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1888<br />
p.312.8-1<br />

<!--4146--><br/><a class="col-link block" href="/explore/collection/work/4146"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> John LINNELL
Wheat
(1860)
David DAVIES<br/>
<em>Seascape (Hayle Bar)</em>  <!-- (recto) --><br />

oil on canvas<br />
96.4 x 161.4 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1938<br />
541-4<br />

<!--5470--><br/><a class="col-link block" href="/explore/collection/work/5470"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> David DAVIES
Seascape (Hayle Bar)
George HERING<br/>
<em>Druidical monuments at dawn in the Isle of Arran</em> 1871 <!-- (recto) --><br />

oil on canvas<br />
89.7 x 139.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1872<br />
p.303.5-1<br />

<!--4032--><br/><a class="col-link block" href="/explore/collection/work/4032"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> George Edwards HERING
Druidical monuments at dawn in the Isle of Arran
1871
Arthur STREETON<br/>
<em>Corfe Castle</em> (1909) <!-- (recto) --><br />

oil on canvas<br />
122.6 x 153.6 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1914<br />
759-2<br />

<!--3044--><br/><a class="col-link block" href="/explore/collection/work/3044"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Arthur STREETON
Corfe Castle
(1909)
Val PRINSEP<br/>
<em>The flight of Jane Shore</em> (c. 1865) <!-- (recto) --><br />

oil on canvas<br />
155.3 x 92.4 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of A. L. Prinsep, 1934<br />
160-4<br />

<!--4277--><br/><a class="col-link block" href="/explore/collection/work/4277"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Val PRINSEP
The flight of Jane Shore
(c. 1865)
Philip Wilson STEER<br/>
<em>The Japanese gown</em> 1896 <!-- (recto) --><br />

oil on canvas<br />
127.5 x 102.2 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1906<br />
264-2<br />

<!--4386--><br/><a class="col-link block" href="/explore/collection/work/4386"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Philip Wilson STEER
The Japanese gown
1896
Johan BENNETTER<br/>
<em>Fight between the ship of the line, Jupiter and the French frigate, Preneuse, in the neighbourhood of Madagascar 11th October, 1799</em> 1876 <!-- (recto) --><br />

oil on canvas<br />
138.6 x 220.3 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1884<br />
p.310.7-1<br />

<!--3783--><br/><a class="col-link block" href="/explore/collection/work/3783"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Johan BENNETTER
Fight between the ship of the line, Jupiter and the French frigate, Preneuse, in the neighbourhood of Madagascar 11th October, 1799
1876
E. M. WARD<br/>
<em>Josephine signing the act of her divorce</em> 1853 <!-- (recto) --><br />

oil on canvas<br />
133.6 x 167.6 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1888<br />
p.313.1-1<br />

<!--4454--><br/><a class="col-link block" href="/explore/collection/work/4454"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> E. M. WARD
Josephine signing the act of her divorce
1853
Camille COROT<br/>
<em>Landscape sketch</em> (c. 1855-1860) <!-- (recto) --><br />

oil on canvas on cardboard<br />
20.1 x 35.3 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1924<br />
1316-3<br />

<!--3874--><br/><a class="col-link block" href="/explore/collection/work/3874"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Camille COROT
Landscape sketch
(c. 1855-1860)
William Powel FRITH<br/>
<em>Study for The Vicar of Wakefield</em> (1840s) <!-- (recto) --><br />

oil on canvas<br />
21.0 x 26.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1957<br />
3745-4<br />

<!--3966--><br/><a class="col-link block" href="/explore/collection/work/3966"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> William Powel FRITH
Study for The Vicar of Wakefield
(1840s)
Camille COROT<br/>
<em>Sketch at Scheveningen</em> (1854) <!-- (recto) --><br />

oil on canvas<br />
18.1 x 30.1 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1906<br />
271-2<br />

<!--3877--><br/><a class="col-link block" href="/explore/collection/work/3877"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Camille COROT
Sketch at Scheveningen
(1854)
Johannes BOSBOOM<br/>
<em>Interior of a cathedral</em> (1870-1875) <!-- (recto) --><br />


oil on wood panel<br />
20.8 x 26.0 cm<br />


National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1909<br />
469-2<br />



<!--3801--><br/><a class="col-link block" href="/explore/collection/work/3801"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Johannes BOSBOOM
Interior of a cathedral
(1870-1875)
G. F. FOLINGSBY<br/>
<em>First meeting between Henry VIII and Anne Boleyn</em> (1879) <!-- (recto) --><br />

oil on canvas<br />
156.1 x 120.9 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased with a Government grant, 1879<br />
p.307.4-1<br />

<!--5563--><br/><a class="col-link block" href="/explore/collection/work/5563"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> G. F. FOLINGSBY
First meeting between Henry VIII and Anne Boleyn
(1879)
Václav BROŽÍK<br/>
<em>The defenestration, 1618</em> (1889-1890) <!-- (recto) --><br />
<em>(La Defénestration, 1618)</em><br />
oil on canvas<br />
132.7 x 210.6 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1890<br />
p.316.1-1<br />

<!--3820--><br/><a class="col-link block" href="/explore/collection/work/3820"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Václav BROŽÍK
The defenestration, 1618
(La Defénestration, 1618)
(1889-1890)
Charles COPE<br/>
<em>The Pilgrim Fathers: Departure of a Puritan family for New England</em> 1856 <!-- (recto) --><br />

oil on canvas<br />
221.5 x 287.6 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased by the Commissioners of Fine Arts for Victoria, 1864<br />
p.300.10-1<br />

<!--3872--><br/><a class="col-link block" href="/explore/collection/work/3872"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Charles COPE
The Pilgrim Fathers: Departure of a Puritan family for New England
1856
John PETTIE<br/>
<em>Arrest for witchcraft</em> 1866 <!-- (recto) --><br />

oil on canvas<br />
97.8 x 151.7 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1876<br />
p.305.6-1<br />

<!--4251--><br/><a class="col-link block" href="/explore/collection/work/4251"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> John PETTIE
Arrest for witchcraft
1866
Jean-Louis-Ernest MEISSONIER<br/>
<em>The alms giver</em> (mid 19th century-late 19th century) <!-- (recto) --><br />
<em>(L'aumône)</em><br />
oil on wood panel<br />
31.0 x 19.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1905<br />
206-2<br />

<!--4177--><br/><a class="col-link block" href="/explore/collection/work/4177"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Jean-Louis-Ernest MEISSONIER
The alms giver
(L'aumône)
(mid 19th century-late 19th century)
Carl SEILER<br/>
<em>The standard-bearer</em> (c. 1882) <!-- (recto) --><br />
<em>(Der Bannertrager)</em><br />
oil on wood panel<br />
38.4 x 25.9 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1884<br />
p.310.5-1<br />

<!--4348--><br/><a class="col-link block" href="/explore/collection/work/4348"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Carl SEILER
The standard-bearer
(Der Bannertrager)
(c. 1882)
Eugene ISABEY<br/>
<em>Prayer in the chapel</em> before 1900 <!-- (recto) --><br />
<em>(Prière dans la chapelle)</em><br />
oil on canvas<br />
37.2 x 28.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1905<br />
208-2<br />

<!--4079--><br/><a class="col-link block" href="/explore/collection/work/4079"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Eugene ISABEY
Prayer in the chapel
(Prière dans la chapelle)
before 1900
Briton RIVIÉRE<br/>
<em>Deer stealers pursued by sleuth hounds</em> 1875 <!-- (recto) --><br />

oil on canvas<br />
99.0 x 135.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1876<br />
p.305.7-1<br />

<!--4304--><br/><a class="col-link block" href="/explore/collection/work/4304"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Briton RIVIÉRE
Deer stealers pursued by sleuth hounds
1875
Pierre-Marie BEYLE<br/>
<em>The last resting place of Coco</em> (1878) <!-- (recto) --><br />
<em>(La Derniere Étape de Coco)</em><br />
oil on canvas<br />
93.0 x 117.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1881<br />
p.308.1-1<br />

<!--3786--><br/><a class="col-link block" href="/explore/collection/work/3786"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Pierre-Marie BEYLE
The last resting place of Coco
(La Derniere Étape de Coco)
(1878)
Jean-Philibert DUMET<br/>
<em>The generosity of the Chevalier Bayard</em> (1814) <!-- (recto) --><br />
<em>(Générosité du chevalier Bayard)</em><br />
oil on canvas<br />
38.1 x 46.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Presented by Patrick Matthiesen and The Matthiesen Gallery, London to commemorate the 150th Anniversary of the National Gallery of Victoria, 2011<br />
2011.401<br />

<!--99775--><br/><a class="col-link block" href="/explore/collection/work/99775"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Jean-Philibert DUMET
The generosity of the Chevalier Bayard
(Générosité du chevalier Bayard)
(1814)
Adrien-Louis DEMONT<br/>
<em>Don Quixote</em> 1893 <!-- (recto) --><br />
<em>(Don Quichotte)</em><br />
oil on canvas<br />
111.0 x 156.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1893<br />
p.399.5-1<br />

<!--3910--><br/><a class="col-link block" href="/explore/collection/work/3910"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Adrien-Louis DEMONT
Don Quixote
(Don Quichotte)
1893
Edward CALVERT<br/>
<em>Souvenir of Claude</em> (c. 1844-1883) <!-- (recto) --><br />

oil on cardboard<br />
26.6 x 38.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1921<br />
1199-3<br />

<!--30734--><br/><a class="col-link block" href="/explore/collection/work/30734"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Edward CALVERT
Souvenir of Claude
(c. 1844-1883)
Edward CALVERT<br/>
<em>The Soul crossing the Styx</em> (1844-1883) <!-- (recto) --><br />

oil on paper on canvas<br />
28.7 x 39.8 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1921<br />
1198-3<br />

<!--3828--><br/><a class="col-link block" href="/explore/collection/work/3828"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Edward CALVERT
The Soul crossing the Styx
(1844-1883)
Septimus POWER<br/>
<em>Staghunt, Exmoor</em> 1911 <!-- (recto) --><br />

oil on canvas<br />
114.8 x 183.8 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1913<br />
577-2<br />

<!--2825--><br/><a class="col-link block" href="/explore/collection/work/2825"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Septimus POWER
Staghunt, Exmoor
1911
D. Y. CAMERON<br/>
<em>Durham Cathedral, interior</em> (late 19th century) <!-- (recto) --><br />

oil on canvas<br />
101.5 x 77.9 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1922<br />
1226-3<br />

<!--3830--><br/><a class="col-link block" href="/explore/collection/work/3830"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> D. Y. CAMERON
Durham Cathedral, interior
(late 19th century)
William HATHERELL<br/>
<em>Christ appears to his disciples</em> 1925 <!-- (recto) --><br />

oil on canvas<br />
112.2 x 91.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1925<br />
1796-3<br />

<!--4014--><br/><a class="col-link block" href="/explore/collection/work/4014"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> William HATHERELL
Christ appears to his disciples
1925
St George HARE<br/>
<em>The victory of faith</em> (c. 1890-1891) <!-- (recto) --><br />

oil on canvas<br />
123.3 x 200.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of an anonymous donor, 1905<br />
201-2<br />

<!--4011--><br/><a class="col-link block" href="/explore/collection/work/4011"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> St George HARE
The victory of faith
(c. 1890-1891)
Nikolaos GYSIS<br/>
<em>Love's pilgrimage</em> 1876 <!-- (recto) --><br />

oil on canvas<br />
120.5 x 80.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1884<br />
p.310.2-1<br />

<!--4004--><br/><a class="col-link block" href="/explore/collection/work/4004"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Nikolaos GYSIS
Love's pilgrimage
1876
Jules BASTIEN-LEPAGE<br/>
<em>The Annunciation to the Shepherds</em> 1875 <!-- (recto) --><br />
<em>(L'Annunciation aux bergers)</em><br />
oil on canvas<br />
147.9 x 115.2 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1910<br />
486-2<br />

<!--3767--><br/><a class="col-link block" href="/explore/collection/work/3767"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Jules BASTIEN-LEPAGE
The Annunciation to the Shepherds
(L'Annunciation aux bergers)
1875
Lawrence ALMA-TADEMA<br/>
<em>The vintage festival</em> 1871 <!-- (recto) --><br />

oil on wood panel<br />
51.0 x 119.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1888<br />
p.312.7-1<br />

<!--3699--><br/><a class="col-link block" href="/explore/collection/work/3699"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Lawrence ALMA-TADEMA
The vintage festival
1871
Briton RIVIÉRE<br/>
<em>A Roman holiday</em> 1881 <!-- (recto) --><br />

oil on canvas<br />
99.5 x 178.2 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1888<br />
p.313.2-1<br />

<!--4306--><br/><a class="col-link block" href="/explore/collection/work/4306"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Briton RIVIÉRE
A Roman holiday
1881
G. F. WATTS<br/>
<em>Love and Death</em> (c. 1887) <!-- (recto) --><br />


oil on canvas<br />
114.3 x 57.3 cm<br />


National Gallery of Victoria, Melbourne<br />
Purchased, 1888<br />
p.312.5-1<br />



<!--4459--><br/><a class="col-link block" href="/explore/collection/work/4459"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> G. F. WATTS
Love and Death
(c. 1887)
Petrus van SCHENDEL<br/>
<em>The poultry vendor</em> 1863 <!-- (recto) --><br />

oil on wood panel<br />
36.3 x 45.3 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased by the Commissioners for Fine Arts for Victoria, 1864<br />
p.301.3-1<br />

<!--4345--><br/><a class="col-link block" href="/explore/collection/work/4345"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Petrus van SCHENDEL
The poultry vendor
1863
Charles BAXTER<br/>
<em>Rose of England</em> 1861 <!-- (recto) --><br />

oil on canvas<br />
54.0 x 43.2 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased by the Commissioners of Fine Arts for Victoria, 1864<br />
p.300.1-1<br />

<!--3772--><br/><a class="col-link block" href="/explore/collection/work/3772"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Charles BAXTER
Rose of England
1861
Edwin LANDSEER<br/>
<em>Scene from A Midsummer Night's Dream. Titania and Bottom</em> (1848-1851) <!-- (recto) --><br />

oil on canvas<br />
82.0 x 133.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1932<br />
4658-3<br />

<!--4118--><br/><a class="col-link block" href="/explore/collection/work/4118"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Edwin LANDSEER
Scene from A Midsummer Night's Dream. Titania and Bottom
(1848-1851)
ITALY<br/>
<em>(Saint Jerome)</em> (c. 1832-1838) <!-- (recto) --><br />

oil on oak panel<br />
17.7 x 13.8 cm<br />
National Gallery of Victoria, Melbourne<br />
Bequest of Mary Macrae Stewart, 2009<br />
2009.63<br />

<!--85910--><br/><a class="col-link block" href="/explore/collection/work/85910"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> ITALY
(Saint Jerome)
(c. 1832-1838)
Albert MAIGNAN<br/>
<em>The last moments of Chlodobert</em> (1880) <!-- (recto) --><br />
<em>(Derniers moments de Chlodobert)</em><br />
oil on canvas<br />
100.6 x 135.3 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of Messrs Wallis and Son, 1885<br />
p.311.5-1<br />

<!--4158--><br/><a class="col-link block" href="/explore/collection/work/4158"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Albert MAIGNAN
The last moments of Chlodobert
(Derniers moments de Chlodobert)
(1880)
Wilhelm KOLLER<br/>
<em>Parting from betrothed</em> 1864 <!-- (recto) --><br />
<em>(Le Départ du fiancé)</em><br />
oil on wood panel<br />
71.2 x 57.8 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased by the Commissioners of Fine Arts for Victoria, 1864<br />
p.300.17-1<br />

<!--4111--><br/><a class="col-link block" href="/explore/collection/work/4111"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Wilhelm KOLLER
Parting from betrothed
(Le Départ du fiancé)
1864
Jean-Jacques HENNER<br/>
<em>Idyll - Woman with a flute</em> 1874 <!-- (recto) --><br />
<em>(Idylle - Femme à la flûte)</em><br />
oil on canvas<br />
118.5 x 92.6 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1933<br />
4717-3<br />

<!--4029--><br/><a class="col-link block" href="/explore/collection/work/4029"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Jean-Jacques HENNER
Idyll - Woman with a flute
(Idylle - Femme à la flûte)
1874
John BEDFORD<br/>
<em>La Belle Yseult</em> 1863 <!-- (recto) --><br />

oil on wood panel<br />
35.4 x 27.9 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased by the Commissioners of Fine Arts for Victoria, 1864<br />
p.300.3-1<br />

<!--3775--><br/><a class="col-link block" href="/explore/collection/work/3775"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> John BEDFORD
La Belle Yseult
1863
Mather BROWN<br/>
<em>George, 1st Marquess Townshend</em> (c. 1801) <!-- (recto) --><br />

oil on wood panel<br />
17.7 x 15.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of Mrs E. Swinburne, 1941<br />
1109-4<br />

<!--3819--><br/><a class="col-link block" href="/explore/collection/work/3819"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Mather BROWN
George, 1st Marquess Townshend
(c. 1801)
Arthur HUGHES<br/>
<em>Fair Rosamund</em> (1854) <!-- (recto) --><br />

oil on cardboard<br />
40.3 x 30.5 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of Miss Eva Gilchrist in memory of her uncle P. A. Daniel, 1956<br />
3334-4<br />

<!--4069--><br/><a class="col-link block" href="/explore/collection/work/4069"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Arthur HUGHES
Fair Rosamund
(1854)
William ETTY<br/>
<em>Dorothea</em> (1840s) <!-- (recto) --><br />

oil on cardboard on wood panel<br />
67.3 x 52.0 cm (cardboard) 69.5 X 52.0 cm (wood panel)<br />
National Gallery of Victoria, Melbourne<br />
Gift of Mrs E. Swinburne, 1941<br />
1110-4<br />

<!--3937--><br/><a class="col-link block" href="/explore/collection/work/3937"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> William ETTY
Dorothea
(1840s)
Fernand SABATTÉ<br/>
<em>The daughters of Danaus</em> (c. 1900) <!-- (recto) --><br />

oil on canvas<br />
57.1 x 153.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Bequest of Miss M. Y. E. Tate, 1977<br />
EA10-1977<br />

<!--4335--><br/><a class="col-link block" href="/explore/collection/work/4335"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Fernand SABATTÉ
The daughters of Danaus
(c. 1900)
Gwen JOHN<br/>
<em>The friends</em> (c. 1898-1899) <!-- (recto) --><br />

oil on canvas<br />
46.0 x 33.4 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of Mrs C. H. Collins-Baker, 1947<br />
1737-4<br />

<!--4091--><br/><a class="col-link block" href="/explore/collection/work/4091"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Gwen JOHN
The friends
(c. 1898-1899)
Jacques-Emile BLANCHE<br/>
<em>The pink rose</em> (1890) <!-- (recto) --><br />

oil on canvas<br />
65.4 x 81.6 cm<br />
National Gallery of Victoria, Melbourne<br />
Gift of Alice Vaughan, 2008<br />
2008.244<br />

<!--84601--><br/><a class="col-link block" href="/explore/collection/work/84601"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Jacques-Emile BLANCHE
The pink rose
(1890)
Edmond-François AMAN-JEAN<br/>
<em>Woman resting</em> (c. 1904) <!-- (recto) --><br />
<em>(La Femme couchée)</em><br />
oil on canvas<br />
38.5 x 46.3 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1905<br />
207-2<br />

<!--3700--><br/><a class="col-link block" href="/explore/collection/work/3700"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Edmond-François AMAN-JEAN
Woman resting
(La Femme couchée)
(c. 1904)
Natale CARTA<br/>
<em>Adam and Eve finding the dead body of Abel</em> 1869 <!-- (recto ) --><br />

oil on canvas<br />
113.9 x 136.6 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1870<br />
p.302.4-1<br />

<!--3837--><br/><a class="col-link block" href="/explore/collection/work/3837"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Natale CARTA
Adam and Eve finding the dead body of Abel
1869
Bernard HALL<br/>
<em>Sleep</em> (c. 1906) <!-- (recto) --><br />

oil on canvas<br />
64.0 x 141.1 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1919<br />
959-3<br />

<!--5694--><br/><a class="col-link block" href="/explore/collection/work/5694"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Bernard HALL
Sleep
(c. 1906)
William ETTY<br/>
<em>Study for The Deluge</em> (1843) <!-- (recto) --><br />

oil on canvas<br />
48.5 x 63.3 cm<br />
National Gallery of Victoria, Melbourne<br />
Bequest of Howard Spensley, 1939<br />
556-4<br />

<!--3938--><br/><a class="col-link block" href="/explore/collection/work/3938"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> William ETTY
Study for The Deluge
(1843)
Walter SICKERT<br/>
<em>Resting - La Giuseppina</em> (1903) <!-- (recto) --><br />

oil on canvas<br />
38.2 x 45.7 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1948<br />
1822-4<br />

<!--4359--><br/><a class="col-link block" href="/explore/collection/work/4359"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Walter SICKERT
Resting - La Giuseppina
(1903)
Walter Howell DEVERELL<br/>
<em>The grey parrot</em> (c. 1852-1853) <!-- (recto) --><br />

oil on canvas<br />
53.5 x 35.2 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1913<br />
569-2<br />

<!--3913--><br/><a class="col-link block" href="/explore/collection/work/3913"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Walter Howell DEVERELL
The grey parrot
(c. 1852-1853)
Jean-François MILLET<br/>
<em>Susanna and the Elders</em> (c. 1846-1848) <!-- (recto) --><br />

oil on canvas<br />
55.8 x 46.7 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1921<br />
1113-3<br />

<!--4186--><br/><a class="col-link block" href="/explore/collection/work/4186"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Jean-François MILLET
Susanna and the Elders
(c. 1846-1848)
FRANCE<br />
 Camille COROT (manner of)<br/>
<em>The model, nude study</em> (late 19th century) <!-- (recto) --><br />

oil on canvas<br />
59.8 x 43.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 1920<br />
1057-3<br />

<!--3875--><br/><a class="col-link block" href="/explore/collection/work/3875"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> FRANCE Camille COROT (manner of)
The model, nude study
(late 19th century)