Francisco GOYA y Lucientes

Born
30 Mar 1746 Fuendetodos, Aragon, Spain
Died
16 Apr 1828 Bordeaux, Aquitaine, France
Nationality
Spanish

 (145 works)

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Img Title Date Artist Medium Acc #
Be quick, they are waking up Be quick, they are waking up (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching and burnished aquatint printed in sepia ink P1.78-1976
Nanny's boy Nanny's boy (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching and burnished aquatint printed in sepia ink P1.4-1976
Folly of fear Folly of fear (c. 1819-1824); 1864 {published} Francisco GOYA y Lucientes etching, burnished aquatint and drypoint printed in sepia ink P23.2-1981
Why hide them? Why hide them? (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, burnished aquatint and drypoint printed in sepia ink P1.30-1976
Cruel folly Cruel folly (c. 1819-1824); 1864 {published} Francisco GOYA y Lucientes etching, aquatint, lavis, burnisher, drypoint and burin P23.6-1981
Even thus he cannot make her out Even thus he cannot make her out (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, aquatint and drypoint printed in sepia ink P1.7-1976
May God repay you, or, Barbarous entertainment May God repay you, or, Barbarous entertainment (c. 1800-1804); 1867 {published} Francisco GOYA y Lucientes etching, aquatint and drypoint 1995.670
Two of a kind Two of a kind (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, aquatint and drypoint printed in sepia ink P1.5-1976
Portrait of a lady Portrait of a lady (late 18th century) SPAIN; Francisco GOYA y Lucientes (manner of) oil on canvas 1963-3
Devout profession Devout profession (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, aquatint and drypoint printed in sepia ink P1.70-1976
There is plenty to suck There is plenty to suck (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching and burnished aquatint printed in sepia ink P1.45-1976
To the Count Palatine, or, Count of the Palate To the Count Palatine, or, Count of the Palate (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, aquatint, drypoint and burin printed in sepia ink P1.33-1976
Who would have thought it! Who would have thought it! (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, burnished aquatint and burin printed in sepia ink P1.62-1976
Yes he broke the pot Yes he broke the pot (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, aquatint and drypoint printed in sepia ink P1.25-1976
This is not less so This is not less so (1903) Francisco GOYA y Lucientes etching, burnished aquatint, drypoint, burin and burnisher 1842-5
Wait till you've been anointed Wait till you've been anointed (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, burnished aquatint and drypoint printed in sepia ink P1.67-1976
Well-known folly Well-known folly 1816-1823; 1877 {published} Francisco GOYA y Lucientes etching and aquatint in dark umber ink P1-1983
The disasters of war The disasters of war (c. 1810-1820); 1863 {published} Francisco GOYA y Lucientes bound volume of 80 plates (etching, aquatint, lans, burnisher, drypoint and burin), with lithographic title page, letterpress introduction and yellow paper wrappers in which the plates were issued (8 parts) 1684-5
What a tailor can do! What a tailor can do! (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, burnished aquatint, drypoint and burin printed in sepia ink P1.52-1976
Sleep overcomes them Sleep overcomes them (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching and burnished aquatint printed in sepia ink P1.34-1976