Collection Online
Medium
earthenware
Measurements
(a-b) 75.5 × 52.5 × 31.8 cm (overall)
Place/s of Execution
England
Inscription
incised in rear c.: Mich. Rysbrack (k underlined) / 1743 (underlined)
Accession Number
1508.a-b-D5
Department
International Sculpture
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1967
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Ms Carol Grigor through Metal Manufactures Limited
Gallery location
17th Century & Flemish Paintings Gallery
Level 2, NGV International
About
An Antwerp-trained sculptor who moved to London in 1725, Michael Rysbrack was celebrated for the astonishingly lifelike character of his many portrait busts. Rysbrack worked from life and engravings and preferred to model his portraits in soft clay before carving them in marble, a practice which contributed to the living and spontaneous character of his busts. This example commemorates Rysbrack’s countryman Peter Paul Rubens (1577–1640). Rubens was one of the most famous Baroque artists of the seventeenth century, esteemed above all in England, where he was honoured by Charles I as a great painter and diplomat.