Humans make meaning with patterns—identifying commonalities, deducing corresponding meaning. With obsessive rigour and dry humour, Patrick Pound points at things (through photographs and objects), which might otherwise go unnoticed. Why is photography such a prime medium for meaning making?
Pippa Milne is the Curator at the Centre for Contemporary Photography. Her recent exhibitions at CCP include CCP Declares: On the Social Contract (2016) and For Future Reference (2015). Pippa is a board member for Bus Projects, Melbourne, and writes for art publications in Australia and New Zealand.