Sue FORD<br/>
<em>Annette, 1962; Annette, 1974</em> (1962-1974); (1974) {printed} <!-- (recto) --><br />
from the <i>Time</i> series (1962-74)<br />
gelatin silver photograph<br />
11.1 x 20.1 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased with the assistance of the Visual Arts Board and the KODAK (Australasia) Pty Ltd Fund, 1974<br />
PH170.a-b-1974<br />
© Courtesy of the artist

Sue Ford

Free entry

The Ian Potter Centre: NGV Australia, Fed Square

Level 2

17 Apr 14 – 24 Aug 14

Sue Ford was a pioneer of Australian photography, and one of the most important practitioners to emerge in the wave of 1970s feminist photographers. This retrospective exhibition celebrates her artistic life and career. It brings together key photographs, digital prints, collages and films created over an almost fifty-year period, as well as important archival materials.

Ford’s work was both personal and political, and shows a fascination with private, shared and forgotten histories. Several concurrent strands become apparent when surveying Sue Ford’s practice, such as the influence of personal biography and a questioning of identity; an interest in gender issues and an advocacy and promotion of women in art and feminism more broadly; a serious connection to social discourse and contemporary politics; and a passionate interest in reconsidering and discussing the histories of Australia and its Indigenous people.

Her prolific output also allows for a survey of the development of her unique experimentation with photographic, film, printing and multimedia techniques since the 1960s – processes which were connected, from the very beginning, by an interest in the politics of representation.

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