Alex PRAGER<br/>
<em>Crowd #11 (Cedar and Broad Street)</em> (2013) <!-- (recto) --><br />

inkjet print<br />
(149.7 x 142.0 cm) (image and sheet)<br />
National Gallery of Victoria, Melbourne<br />
Bowness Family Fund for Contemporary Photography, 2014<br />
2014.106<br />
© Alex Prager. Courtesy Alex Prager Studio and Lehmann Maupin, New York, Hong Kong, Seoul and London
<!--111728-->

Collection Highlights

Hoda AFSHAR<br/>
<em>Untitled #4</em> (2015); (2017) {printed} <!-- (recto) --><br />
from the <i>Behold</i> series 2015<br />
inkjet print<br />
95.5 x 120.0 cm (image) 127.1 x 142.8 cm (sheet)<br />
ed. 2/5<br />
National Gallery of Victoria, Melbourne<br />
Purchased, Victorian Foundation for Living Australian Artists, 2018<br />
2018.37<br />
© Hoda Afshar. Image courtesy of the artist and Milani Gallery, Meeanjin/Brisbane
<!--132445--><br/><a class="col-link block" href="/explore/collection/work/132445"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Hoda AFSHAR
Untitled #4
(2015); printed (2017)
from the Behold series 2015
Brook ANDREW<br/>
<em>Sexy and dangerous</em> 1996; 2005 {printed} <!-- (recto) --><br />

computer-generated colour transparency on transparent synthetic polymer resin<br />
145.9 x 96.0 cm (image and sheet)<br />
artist's proof 1/2<br />
National Gallery of Victoria, Melbourne<br />
Purchased with funds from the Victorian Foundation for Living Australian Artists, 2005<br />
2005.166<br />
© Brook Andrew/Copyright Agency, 2023
<!--77516--><br/><a class="col-link block" href="/explore/collection/work/77516"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Brook ANDREW
Sexy and dangerous
1996; printed 2005
Atong ATEM<br/>
<em>Ego 1</em> (2019) <!-- (recto) --><br />

inkjet print<br />
(60.0 x 90.0 cm)<br />
National Gallery of Victoria, Melbourne<br />
Purchased, Victoria Foundation for Living Australian Artists, 2022<br />
2022.1554<br />
© Atong Atem, courtesy Mars Gallery, Melbourne
<!--150207--><br/><a class="col-link block" href="/explore/collection/work/150207"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Atong ATEM
Ego 1
(2019)
Pat BRASSINGTON<br/>
<em>Starlight</em> (2001) <!-- (recto) --><br />
from the <i>Gentle</i> series 2001<br />
digital colour print<br />
43.4 x 63.1 cm (image) 78.1 x 127.1 cm (sheet)<br />
ed. 1/4<br />
National Gallery of Victoria, Melbourne<br />
Purchased with funds arranged by Loti Smorgon for Contemporary Australian Photography, 2001<br />
2001.164<br />
© Pat Brassington. Courtesy of the artist
<!--68721--><br/><a class="col-link block" href="/explore/collection/work/68721"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Pat BRASSINGTON
Starlight
(2001)
from the Gentle series 2001
Girma BERTA<br/>
<em>Untitled IV</em> (2017) <!-- (recto) --><br />
from the <i>Moving shadows</i> series 2017<br />
inkjet print<br />
89.8 x 90.0 cm (image) 99.8 x 100.0 cm (sheet)<br />
ed. 4/4<br />
National Gallery of Victoria, Melbourne<br />
Bowness Family Fund for Photography, 2018<br />
2018.1359<br />
© Girma Berta
<!--137519--><br/><a class="col-link block" href="/explore/collection/work/137519"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Girma BERTA
Untitled IV
(2017)
from the Moving shadows series 2017
Henri CARTIER-BRESSON<br/>
<em>Simiane-la-Rotonde, France</em> (1969) <!-- (recto) --><br />

gelatin silver photograph<br />
(24.1 x 35.5 cm) (image) (30.4 x 40.6 cm) (sheet)<br />
National Gallery of Victoria, Melbourne<br />
Gift of Krystyna Campbell-Pretty AM and Family through the Australian Government's Cultural Gifts Program, 2021<br />
2021.544<br />
© Fondation Henri Cartier-Bresson/Magnum Photos
<!--146913--><br/><a class="col-link block" href="/explore/collection/work/146913"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Henri CARTIER-BRESSON
Simiane-la-Rotonde, France
(1969)
Olive COTTON<br/>
<em>Girl with mirror</em> 1938 <!-- (recto) --><br />

gelatin silver photograph<br />
31.8 x 29.9 cm (image)<br />
National Gallery of Victoria, Melbourne<br />
Purchased from Admission Funds, 1992<br />
PH201-1992<br />
© The estate of Olive Cotton
<!--13124--><br/><a class="col-link block" href="/explore/collection/work/13124"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Olive COTTON
Girl with mirror
1938
Nici Cumpston<br/>
<em>Nookamka - Lake Bonney</em> 2007 <!-- (recto) --><br />


watercolour and pencil on inkjet print on canvas<br />
74.2 x 203.0 cm<br />


National Gallery of Victoria, Melbourne<br />
Purchased, Victorian Foundation for Living Australian Artists, 2008<br />
2008.7<br />


© Nici Cumpston
<!--86141--><br/><a class="col-link block" href="/explore/collection/work/86141"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Nici Cumpston
Nookamka - Lake Bonney
2007
Imogen CUNNINGHAM<br/>
<em>The unmade bed</em> (1957) <!-- (recto) --><br />

gelatin silver photograph<br />
24.4 x 32.7 cm (image) 38.1 x 50.8 cm (sheet)<br />
National Gallery of Victoria, Melbourne<br />
Gift of Krystyna Campbell-Pretty AM and Family through the Australian Government’s Cultural Gifts Program, 2023<br />
2023.10<br />
© 2023 Imogen Cunningham Trust / www.ImogenCunningham.com
<!--149166--><br/><a class="col-link block" href="/explore/collection/work/149166"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Imogen CUNNINGHAM
The unmade bed
(1957)
Destiny Deacon<br/>
<em>Dolly Eyes (1-8)</em> 2020 <!-- (recto) --><br />

lightjet photograph<br />
23.5 x 39.0 cm each<br />
National Gallery of Victoria, Melbourne<br />
Purchased, Victorian Foundation for Living Australian Artists, 2021<br />
2021.178<br />
© Estate of Destiny Deacon/ Licensed by Copyright Agency, Australia
<!--146116--><br/><a class="col-link block" href="/explore/collection/work/146116"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Destiny Deacon
Dolly Eyes (1-8)
2020
Max DUPAIN<br/>
<em>Impassioned clay</em> 1936 <!-- (recto) --><br />

gelatin silver photograph<br />
50.4 x 36.7 cm irreg. (image) 50.4 x 40.5 cm (sheet)<br />
National Gallery of Victoria, Melbourne<br />
William Kimpton Bequest, 2016<br />
2016.396<br />

<!--121959--><br/><a class="col-link block" href="/explore/collection/work/121959"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Max DUPAIN
Impassioned clay
1936
Nan GOLDIN<br/>
<em>Cookie at the restaurant, Positano</em> (1986) <!-- (recto) --><br />

cibachrome photograph<br />
40.0 x 59.5 cm (image and sheet)<br />
artist's proof 1<br />
National Gallery of Victoria, Melbourne<br />
Purchased NGV Foundation, 2022<br />
2022.18<br />
© Nan Goldin, courtesy Matthew Marks Gallery
<!--148269--><br/><a class="col-link block" href="/explore/collection/work/148269"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Nan GOLDIN
Cookie at the restaurant, Positano
(1986)
Bill HENSON<br/>
<em>Untitled 2009/10</em> 2009-2010 <!-- (recto) --><br />

inkjet print<br />
102.1 x 152.0 cm (image) 126.5 x 177.6 cm (printed image border) 127.0 x 184.5 cm (sheet)<br />
ed. 2/5<br />
National Gallery of Victoria, Melbourne<br />
Purchased, Victorian Foundation for Living Australian Artists, 2011<br />
2012.9<br />
© Bill Henson
Copyright (C) reserved
<!--102094--><br/><a class="col-link block" href="/explore/collection/work/102094"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Bill HENSON
Untitled 2009/10
2009-2010
Douglas T. KILBURN<br/>
<em>No title (Group of Koori men)</em> (c. 1847) <!-- (recto) --><br />

daguerreotype, leather, wood, velvet, brass<br />
(7.5 x 6.5 cm) (image) 9.2 x 7.9 x 1.7 cm (case) (closed)<br />
National Gallery of Victoria, Melbourne<br />
Purchased from Admission Funds, 1983<br />
PH407-1983<br />

<!--10001--><br/><a class="col-link block" href="/explore/collection/work/10001"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Douglas T. KILBURN
No title (Group of Koori men)
(c. 1847)
Candida HÖFER<br/>
<em>Teylers Museum Haarlem II</em> (2003) <!-- (recto) --><br />

type C photograph<br />
150.0 x 120.0 cm (image)<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 2004<br />
2004.778<br />
© Candida Höfer. VG Bild-Kunst/Copyright Agency, 2023
<!--76690--><br/><a class="col-link block" href="/explore/collection/work/76690"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Candida HÖFER
Teylers Museum Haarlem II
(2003)
Frank HURLEY<br/>
<em>No title (A turreted berg)</em> (1913) <!-- (recto) --><br />

carbon print<br />
43.4 x 59.4 cm (image and sheet)<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1999<br />
2001.46<br />

<!--66685--><br/><a class="col-link block" href="/explore/collection/work/66685"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Frank HURLEY
No title (A turreted berg)
(1913)
Rosemary LAING<br/>
<em>groundspeed (red piazza) #2</em> 2001 <!-- (recto) --><br />

type C photograph<br />
110.8 x 205.1 cm (image) 125.9 x 225.2 cm (sheet)<br />
ed. 11/15<br />
National Gallery of Victoria, Melbourne<br />
Purchased with funds from the Victorian Foundation for Living Australian Artists, 2004<br />
2004.620<br />
© Estate of Rosemary Laing
<!--76978--><br/><a class="col-link block" href="/explore/collection/work/76978"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Rosemary LAING
groundspeed (red piazza) #2
2001
YEE I-Lann<br/>
<em>Huminodun</em> 2007 <!-- (recto) --><br />
from the <i>Kinabalu</i> series 2007<br />
colour digital print<br />
105.9 x 204.1 cm (image) (107.6 x 205.4 cm) (sheet)<br />
National Gallery of Victoria, Melbourne<br />
Purchased, NGV Foundation, 2008<br />
2008.369<br />
© Yee I-Lann
<!--86991--><br/><a class="col-link block" href="/explore/collection/work/86991"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> YEE I-Lann
Huminodun
2007
from the Kinabalu series 2007
Zanele MUHOLI<br/>
<em>Ntozkhe II (Parktown)</em> (2016) <!-- (recto) --><br />
from the <i>Somnyama Ngonyama</i> series 2015–16<br />
gelatin silver photograph<br />
(99.0 x 74.0 cm) (image)<br />
National Gallery of Victoria, Melbourne<br />
Bowness Family Fund for Photography, 2017<br />
2017.461<br />
© Zanele Muholi. Courtesy of the artist and Yancey Richardson, New York
<!--123024--><br/><a class="col-link block" href="/explore/collection/work/123024"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Zanele MUHOLI
Ntozkhe II (Parktown)
(2016)
from the Somnyama Ngonyama series 2015–16
Dora MAAR<br/>
<em>Untitled (Study of Beauty)</em> (1936) <!-- (recto) --><br />

gelatin silver photograph<br />
33.0 x 24.1 cm<br />
National Gallery of Victoria, Melbourne<br />
Bowness Family Fund for Photography, 2021<br />
2021.17<br />
© Dora Maar. Licensed by Copyright Agency, Australia
<!--145584--><br/><a class="col-link block" href="/explore/collection/work/145584"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Dora MAAR
Untitled (Study of Beauty)
(1936)
Robert MAPPLETHORPE<br/>
<em>Alistair Butler</em> 1980 <!-- (recto) --><br />

gelatin silver photograph<br />
40.6 x 50.8 cm<br />
artist’s proof 2/3<br />
National Gallery of Victoria, Melbourne<br />
Purchased NGV Foundation, 2016<br />
2016.435<br />
© Robert Mapplethorpe Foundation. Used by permission
<!--121102--><br/><a class="col-link block" href="/explore/collection/work/121102"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Robert MAPPLETHORPE
Alistair Butler
1980
Julia Margaret CAMERON<br/>
<em>Mrs Herbert Duckworth, her son George, Florence Fisher and H. A. L. Fisher</em> (c. 1871) <!-- (recto) --><br />

albumen silver photograph<br />
31.0 x 22.7 cm (image and sheet) 35.4 x 24.5 cm (support)<br />
National Gallery of Victoria, Melbourne<br />
Purchased through The Art Foundation of Victoria with the assistance of the Herald & Weekly Times Limited, Fellow, 1979<br />
PH16-1979<br />

<!--11355--><br/><a class="col-link block" href="/explore/collection/work/11355"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Julia Margaret CAMERON
Mrs Herbert Duckworth, her son George, Florence Fisher and H. A. L. Fisher
(c. 1871)
Tyler MITCHELL<br/>
<em>Albany, Georgia</em> (2021) <!-- (recto) --><br />

inkjet print<br />
160.0 x 199.4 cm<br />
ed. 3/3<br />
National Gallery of Victoria, Melbourne<br />
Bowness Family Fund for Photography, 2022<br />
2022.36<br />
© Tyler Mitchell, Jack Shainman Gallery, New York
<!--148646--><br/><a class="col-link block" href="/explore/collection/work/148646"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Tyler MITCHELL
Albany, Georgia
(2021)
László MOHOLY-NAGY<br/>
<em>Fotogram, 1925</em> 1925 <!-- (recto) --><br />

gelatin silver photograph<br />
<br />
National Gallery of Victoria, Melbourne<br />
Presented by the National Gallery Society of Victoria, 1985<br />
PH82-1985<br />

<!--10371--><br/><a class="col-link block" href="/explore/collection/work/10371"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> László MOHOLY-NAGY
Fotogram, 1925
1925
Tracey MOFFATT<br/>
<em>Invocations #2</em> 2000 <!-- (recto) --><br />

photo silkscreen<br />
146.0 x 122.0 cm (image and sheet)<br />
ed. 36/60<br />
National Gallery of Victoria, Melbourne<br />
Presented by Ferrier Hodgson through the Australian Government's Cultural Gifts Program, 2014<br />
2014.317<br />
Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney
<!--113035--><br/><a class="col-link block" href="/explore/collection/work/113035"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Tracey MOFFATT
Invocations #2
2000
Lakin OGUNBANWO<br/>
<em>Are you lying</em> (2016) <!-- (recto) --><br />
from the <i>Are we good enough</i> series 2015–17<br />
inkjet print<br />
119.0 x 79.5 cm (image) 135.0 x 95.5 cm (sheet)<br />
National Gallery of Victoria, Melbourne<br />
Bowness Family Fund for Photography, 2019<br />
2019.215<br />
© Lakin Ogunbanwo, courtesy WHATIFTHEWORLD Gallery, Cape Town
<!--139188--><br/><a class="col-link block" href="/explore/collection/work/139188"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Lakin OGUNBANWO
Are you lying
(2016)
from the Are we good enough series 2015–17
Trevor PAGLEN<br/>
<em>Untitled (Reaper drone)</em> 2013 <!-- (recto) --><br />

type C photograph<br />
121.9 x 152.4 cm (image and sheet)<br />
ed. 2/5<br />
National Gallery of Victoria, Melbourne<br />
Purchased NGV Foundation, 2014<br />
2014.543<br />
© Trevor Paglen
<!--112880--><br/><a class="col-link block" href="/explore/collection/work/112880"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Trevor PAGLEN
Untitled (Reaper drone)
2013
Patricia PICCININI<br/>
<em>Psychogeography</em> (1996); (1998) {printed} <!-- (recto) --><br />
from the <i>Psycho</i> series 1996,  in <i>The mutant genome project</i> 1994-<br />
type C photograph<br />
120.6 x 258.4 cm (image) 126.9 x 278.8 cm (sheet)<br />
ed. 1/6<br />
National Gallery of Victoria, Melbourne<br />
Purchased through The Art Foundation of Victoria with the assistance of Optus Communications Pty Limited, Member, 1998<br />
1998.252<br />
© Courtesy of the artist
<!--61671--><br/><a class="col-link block" href="/explore/collection/work/61671"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Patricia PICCININI
Psychogeography
(1996); printed (1998)
from the Psycho series 1996, in The mutant genome project 1994-
Patrick POUND<br/>
<em>People who look dead but (probably) aren't</em> 2011-2014 <!-- (group) --><br />

gelatin silver and type C prints<br />
<br />
National Gallery of Victoria, Melbourne<br />
Yvonne Pettengell Bequest, 2014<br />
2014.545<br />
© Patrick Pound
<!--113028--><br/><a class="col-link block" href="/explore/collection/work/113028"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Patrick POUND
People who look dead but (probably) aren't
2011-2014
MAN RAY<br/>
<em>Kiki with African mask</em> 1926 <!-- (recto) --><br />

gelatin silver photograph<br />
21.1 x 27.6 cm (image) 22.1 x 28.5 cm (sheet)<br />
National Gallery of Victoria, Melbourne<br />
Purchased through The Art Foundation of Victoria with the assistance of Miss Flora MacDonald Anderson and Mrs Ethel Elizabeth Ogilvy Lumsden, Founder Benefactors, 1983<br />
PH137-1983<br />
© Man Ray Trust. ADAGP/Copyright Agency
<!--9783--><br/><a class="col-link block" href="/explore/collection/work/9783"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> MAN RAY
Kiki with African mask
1926
Thomas RUFF<br/>
<em>Portrait (V. Liebermann D)</em> 1999 <!-- (recto) --><br />
<em>(Porträt (V. Liebermann D))</em><br />
type C photograph<br />
210.4 x 165.4 cm (image)<br />
ed. 3/4<br />
National Gallery of Victoria, Melbourne<br />
Purchased with the assistance of the Bowness Family Fund for Contemporary Photography, 2008<br />
2008.520<br />
© Thomas Ruff/VG Bild-Kunst, Bonn. Copyright Agency, 2023
<!--88390--><br/><a class="col-link block" href="/explore/collection/work/88390"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Thomas RUFF
Portrait (V. Liebermann D)
(Porträt (V. Liebermann D))
1999
Cindy SHERMAN<br/>
<em>Untitled</em> 1988; 2003 {printed} <!-- (recto) --><br />
from the <i>History portraits</i> series 1988-90<br />
type C photograph<br />
(94.2 x 57.5 cm) (image)<br />
ed. 5/6<br />
National Gallery of Victoria, Melbourne<br />
Felton Bequest, 2004<br />
2004.641<br />
© Cindy Sherman. Courtesy of the artist and Metro Pictures
<!--74785--><br/><a class="col-link block" href="/explore/collection/work/74785"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Cindy SHERMAN
Untitled
1988; printed 2003
from the History portraits series 1988-90
David STEPHENSON<br/>
<em>Star drawing (906)</em> 1996 <!-- (recto) --><br />
from the <i>Stars</i> series 1996–97<br />
cibachrome photograph<br />
98.5 x 98.5 cm (image and sheet)<br />
ed. 1/15<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1997<br />
1997.420<br />
© Courtesy of the artist
<!--60680--><br/><a class="col-link block" href="/explore/collection/work/60680"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> David STEPHENSON
Star drawing (906)
1996
from the Stars series 1996–97
Wolfgang TILLMANS<br/>
<em>Lars in tube</em> (1993) <!-- (recto) --><br />

type C photograph<br />
61.0 x 50.8 cm<br />
ed. 3/3<br />
National Gallery of Victoria, Melbourne<br />
Purchased NGV Foundation, 2021<br />
2021.570<br />
© Wolfgang Tillmans, courtesy Maureen Paley, London
<!--147877--><br/><a class="col-link block" href="/explore/collection/work/147877"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Wolfgang TILLMANS
Lars in tube
(1993)
Thomas STRUTH<br/>
<em>Pergamon Museum IV, Berlin</em> 2001 <!-- (recto) --><br />

type C photograph<br />
144.1 x 219.9 cm (image) 151.5 x 226.8 cm (sheet)<br />
ed. 1/10<br />
National Gallery of Victoria, Melbourne<br />
Purchased with the assistance of the Bowness Family Fund for Contemporary Photography, 2008<br />
2008.518<br />
© Thomas Struth
<!--88385--><br/><a class="col-link block" href="/explore/collection/work/88385"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Thomas STRUTH
Pergamon Museum IV, Berlin
2001
Darren SYLVESTER<br/>
<em>What happens will happen #3</em> 2010 <!-- (recto) --><br />

inkjet print<br />
120.0 x 90.0 cm (image and sheet)<br />
National Gallery of Victoria, Melbourne<br />
Purchased, Victorian Foundation for Living Australian Artists, 2015<br />
2015.173<br />
© Darren Sylvester
<!--114723--><br/><a class="col-link block" href="/explore/collection/work/114723"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Darren SYLVESTER
What happens will happen #3
2010
Yvonne TODD<br/>
<em>Werta</em> 2005 <!-- (recto) --><br />

lightjet print<br />
<br />
ed. 3/4<br />
National Gallery of Victoria, Melbourne<br />
Purchased NGV Foundation, 2013<br />
2013.601<br />
© Yvonne Todd
<!--107833--><br/><a class="col-link block" href="/explore/collection/work/107833"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Yvonne TODD
Werta
2005
Hank WILLIS THOMAS<br/>
<em>Amelia falling</em> 2014 <!-- (view 1) --><br />

photographic print, mirror and glass<br />
166.0 x 135.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Bowness Family Fund for Photography, 2017<br />
2017.462<br />
© Hank Willis Thomas. Courtesy of the artist and Jack Shainman Gallery, New York
<!--123031--><br/><a class="col-link block" href="/explore/collection/work/123031"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Hank WILLIS THOMAS
Amelia falling
2014
Jeff WALL<br/>
<em>Untangling</em> (1994); (2006) {printed} <!-- (recto) --><br />

colour cibachrome transparency, light box<br />
207.1 x 241.0 x 26.2 cm<br />
artist's proof<br />
National Gallery of Victoria, Melbourne<br />
Purchased NGV Foundation and with the assistance of NGV Contemporary, 2006<br />
2006.426<br />
© Jeff Wall
<!--80492--><br/><a class="col-link block" href="/explore/collection/work/80492"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Jeff WALL
Untangling
(1994); printed (2006)
Anne ZAHALKA<br/>
<em>Star City Casino</em> 1999 <!-- (recto) --><br />
from the <i>Leisureland</i> series 1998-<br />
type C photograph<br />
115.1 x 145.5 cm (image)<br />
ed. 1/12<br />
National Gallery of Victoria, Melbourne<br />
Purchased, 1999<br />
1999.389<br />
© Anne Zahalka/Licensed by Copyright Agency, Australia
<!--66732--><br/><a class="col-link block" href="/explore/collection/work/66732"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> Anne ZAHALKA
Star City Casino
1999
from the Leisureland series 1998-
H. C. WHITE CO., North Bennington, Vermont (manufacturer)<br/>
<em>Universal Exposition, Paris. 10264. The Eiffel Tower and the Celestial Globe, stereograph</em> 1900 <!-- (recto) --><br />

albumen silver photograph<br />
8.0 x 15.6 cm (image and sheet) 8.8 x 17.8 cm (support)<br />
National Gallery of Victoria, Melbourne<br />
The Dr Robert Wilson Collection. Gift of Dr Robert Wilson, 2014<br />
2014.1268<br />

<!--105325--><br/><a class="col-link block" href="/explore/collection/work/105325"><strong>Collection page <i class="fa fa-angle-right"></i></strong></a> H. C. WHITE CO., North Bennington, Vermont (manufacturer)
Universal Exposition, Paris. 10264. The Eiffel Tower and the Celestial Globe, stereograph
1900