Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
Arthur Streeton
At Elizabeth Bay 1894
oil on wood panel
17.2 × 41.0 cm
National Gallery of Victoria, Melbourne
W.H. Short Bequest, 1944
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
At Elizabeth Bay
1894
Medium
oil on wood panel
Measurements
17.2 × 41.0 cm
Credit Line
National Gallery of Victoria, Melbourne
W.H. Short Bequest, 1944
Gallery location
Not on display
Artwork Details
Place/s of Execution
Sydney, New South Wales
Inscription
inscribed in brown paint l.l.: AT ELIZAbEth BAy. 94. / StrEEton (line above rEE)
Accession Number
1376-4
Department
Australian Painting
This digital record has been made available on NGV Collection Online through the generous support of The Vizard Foundation
Subjects (general)
Cityscapes
Subjects (specific)
Australia (nation) gardens (open spaces) houses New South Wales (state) Sydney (inhabited place) urban areas
Movements
Australian Impressionism Heidelberg School
Frame
Reproduction, 2007
Frame
The former framing of At Elizabeth Bay, (1376-4), 1894 amounted to a reduced ‘Whistlerian’ moulding with a linen covered slip, the standard framing used from around 1939 onward for the reframing of the Australian painting collection. It is not known when this frame was fitted to the painting though it is unlikely to have been on the painting at the time of acquisition in 1944.
The decision to reframe the panel was made ahead of the Australian Impressionism exhibition in 2007.
The new frame is based on the frame on Arthur Streeton’s Sunlight: cutting on a hot road 1895 in the National Gallery of Australia, Canberra, a frame believed to have been chosen by Streeton in 1896.
The frame is one of four frames made in this manner for paintings by Arthur Streeton.
The others appear on: Hawkesbury River (919-5), Sydney Harbour (2004.223), Scheherazade (2004.222).
Frame Details
Framemaker
Reproduction - crafted by the NGV
Date
2006
Materials
timber (oak) with gilded slip