The artist, title and date of the work must be listed anywhere the image is reproduced:
England
St John the Baptist (15th century)
alabaster paint
72.2 × 26.6 × 10.5 cm
National Gallery of Victoria, Melbourne
Felton Bequest, 1923
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
About this work
A major centre of religious sculpture in the fourteenth and fifteenth centuries was Nottingham, England, home to large alabaster quarries. Lacking natural supplies of marble, English carvers instead chose alabaster, a gypsum-based stone. Because the material is much softer than marble, deeply carved objects were easier and faster to produce. ‘Nottingham alabasters’, which were typically painted, were exported in great numbers to Europe as private devotional objects and components of altars. The distinctive gaunt forms of ‘Nottingham alabasters’ were especially valued in Ferrara, Italy, seat of the Este court, where they are thought to have influenced local sculptors and painters, such as Cosmè Tura.
Place/s of Execution
England
Accession Number
1301-3
Department
International Sculpture
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Dame Carol Colburn-Grigor CBE through Metal Manufactures Limited