Untitled IV
(1962)
Medium
oil on canvas
Measurements
84.0 × 117.4 cm
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1964
© the artist's estate
Gallery location
Not on display
About this work
A largely self-trained artist, Charles Howard took up painting and drawing in 1926 and held his first solo exhibition the same year. The exhibition was held in the Greenwich Village studio that wealthy sculptor and art patron Gertrude Vanderbilt Whitney had established to support the work of unknown and emerging artists. Howard’s work was highly influenced by European Surrealism and Biomorphism, a type of art inspired by shapes found in nature. Howard was closely involved with the development of Surrealist art in the United States and, following his marriage to British painter Madge Knight in 1934, in the United Kingdom as well. In his later years Howard moved towards a strict minimalism in his compositions, using a restricted palette of black, grey and white paint, as seen here.
Artwork Details
Accession Number
1412-5
Department
International Painting
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Dame Carol Colburn-Grigor CBE through Metal Manufactures Limited