Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
David Murray
On the Thames 1898
oil on canvas
91.0 × 121.8 cm
National Gallery of Victoria, Melbourne
Gift of William Drummond, 1914
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
On the Thames
1898
Medium
oil on canvas
Measurements
91.0 × 121.8 cm
Credit Line
National Gallery of Victoria, Melbourne
Gift of William Drummond, 1914
Gallery location
Not on display
Artwork Details
Inscription
inscribed in grey paint l.l.: DAViD MURRAY • 98•
Accession Number
757-2
Department
International Painting
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Dame Carol Colburn-Grigor CBE through Metal Manufactures Limited
Subjects (general)
Landscapes
Subjects (specific)
haystacks pastoral reflections (perceived properties) riverbanks riverine landscapes Thames (river) trees United Kingdom (nation)
Provenance
Collection of William Drummond, Melbourne, by 1914; by whom donated to the NGV, 1914.
Frame
Original, by C. M. May, London
Frame
The frame is one of a number of highly finished frames that show a very refined level of craftsmanship in their manufacture. It is distinguished by the basic structure, which uses smaller sections of timber than usual to build the base of the profile. The subsequent hollow nature of the chassis has allowed the overlying form to remain stable, without cracking or distorting. Similarly, the torus section is almost free of cracking. The maker is identified by an ink stencil applied to the timber pieces that brace the structure in the centres of the sides on the reverse. The stencil transcribes: C M MAY, 18 St Ann’s Court, WARDOUR STREET, W. GILDER & FRAME MANUFACTURER.1
Notes
1 The company came into existence towards the end of the nineteenth century and traded until 1922. May worked extensively for John Singer Sargent, advertising the use of both English and French craftsmen. See Jacob Simon, The Art of the Picture Frame, National Portrait Gallery, 1996, p. 135.
Frame Details
Framemaker
C. M. May
18 St. Ann’s Court, Wardour Street, London
Date
(1898)
Materials
The basic structure of this frame is made up from a number of timber sections, glued together to form an inverted ‘U’ shape, which has subsequently been profiled and the torus section added. The torus sits on a relatively thin base. The overall structure is braced at the centres on the reverse and at the corners. The torus appears to be from plaster and is a high-relief, large-scale pattern of laurel and berry. The corners carry a broad band. The torus section has very few cracks and sits on a broad, flat, leading edge. The smaller runs of ornament are from composition. The frame is gilded throughout. The inner cavetto is burnished on a red bole. The other surfaces are matte, possibly carrying a matte size layer. The torus appears to be oil gilded. The gilding runs through to the working edge.
Frame Condition
The frame is in near perfect original condition. In places, the gilding is worn exposing the deep red bole. There are losses in the small-scale composition sections.
Dimensions
127.5 x 158.0 x 13.0 cm; sight 90.3 x 121.0 cmMore Information
National Portrait Gallery