Painted for William Bashall (1795–1871), Farington Lodge, Preston, 1853; his collection, until 1871; purchased from the Estate of William Bashall by Agnew’s (dealer), London, 2 May 1871, stock no. 6403; sold to Thomas Wrigley (1808–80), 8 May 1871; his collection, Bury, Lancashire, until 1873; from whom repurchased by Agnew’s, 12 December 1873, stock no. 8314; sold to Albert Grant (1830–99, also known as Baron Albert Grant; formerly Albert Gottheimer), Kensington House, London, 12 May 1874; his collection, until 1877; Albert Grant sale, Christie’s, London, 28 April 1877 (Lugt 37393), no. 181; collection of Thomas Hine Esq., England, by 1888; exhibited British Loan Collection, Melbourne Centennial Exhibition, Melbourne, 1888–89, no. 146, lent by Thomas Hine; from whom purchased for the NGV, 1888
 See Agnew’s Picture Stockbook 1871–74, NGA27/1/1/4, pp. 44-45, Thomas Agnew & Sons archive, National Gallery Research Centre, London, https://www.nationalgallery.org.uk/paintings/research/research-centre/agnews-stock-books/reference-nga27114-1871-74. See also Anon. The Art Journal, vol. 10 (new series) no. 33, p. 170
 Ibid, pp. 256–57
 According to an annotated copy of the Grant sale catalogue, Agnew’s is listed as the buyer for lot 181. However there is no corresponding entry in the Agnew’s stockbooks with other Grant sale buys, or in the day books to suggest Agnew’s were bidding on behalf of Thomas Hine or another individual. See Catalogue of the magnificent collection of modern pictures, formed…by Baron Albert Grant, Christie’s, London, 27–28 April 1877 (Lugt 37393), https://archive.org/stream/catalogueofmagni00chri_0#page/34/mode/2up
Exhibited Royal Academy, London, 1853, no. 512; British Loan Collection, Melbourne Centennial International Exhibition, Melbourne, 1888–89, no. 146, lent by Thomas Hine Esq.