Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
George Coates
Motherhood (1903)
oil on canvas
283.4 × 140.0 cm (framed) (overall)
National Gallery of Victoria, Melbourne
Presented by the artist under the terms of the National Gallery of Victoria Travelling Scholarship, 1904
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
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Motherhood
(1903)
Medium
oil on canvas
Measurements
283.4 × 140.0 cm (framed) (overall)
Credit Line
National Gallery of Victoria, Melbourne
Presented by the artist under the terms of the National Gallery of Victoria Travelling Scholarship, 1904
Gallery location
19th Century European Paintings Gallery
Level 2, NGV International
Artwork Details
Place/s of Execution
Ealing, Middlesex, England
Inscription
inscribed in black paint l.l.: George Coates
Accession Number
134-2
Department
Australian Painting
This digital record has been made available on NGV Collection Online through the generous support of The Vizard Foundation
Subjects (general)
Daily Life Relationships and Interactions
Subjects (specific)
cups (drinking vessels) curtains (window hangings) daughters families (kinship groups) family life jugs (vessels) mothers tablecloths
Provenance
Gift of the artist, 1904
Frame
The frame for Motherhood is in the form of Italian Renaissance tabernacle frames, it associates the painting with religious subjects and images of devotion. It is made in one piece and there are no marks identifying the maker. It is possible it was made in England and travelled with the painting. If it was made in Melbourne it would be by John Thallon, one of the few companies capable of building something on this scale in 1903/4. It would have been an expensive frame to build and demonstrates considerable commitment to the painting and the role of the frame in the presentation of the image.
The painting was acquired as part of the Travelling Scholarship requirements for the painter.
Frame Details
Framemaker
Unknown - 20th century
Date
c.1903/4
Materials
timber, composition and gold leaf
Frame Condition
good original condition