Though the label simply indicates Isaac Whitehead, the frame comes from the time when the business was run by Isaac Whitehead junior. Stylistically, the frame is not the type associated with Isaac Whitehead senior. It belongs to a nineteenth-century revival of classical forms, which we also see in the frames for Rupert Bunny’s Sea idyll (p.399.1-1) and J. B. Pyne’s Pandy Mills, Wales, 1847 (143-2).
Note