David McDiarmid’s art moves between the categories of high and low, craft, fashion, pop culture and activism. Inscribed on the figure’s body in this work are the names of McDiarmid’s friends and lovers who had died of AIDS-related illnesses. The swastika on the head, incorporating each letter of the acronym AIDS, refers to extreme political and social conservatism in the wake of the AIDS crisis, particularly in regard to governments’ refusal to supply funding for health and education programs.