Distortion #88
1933; printed (c. 1974)
- Credit Line
- National Gallery of Victoria, Melbourne
Purchased, 1976
© Estate of André Kertész, courtesy of Higher Pictures, New York
- Gallery location
- Late 19th & early 20th Century Paintings & Decorative Arts Gallery
Level 2, NGV International
About this work
In 1933 André Kertész photographed a suite of nudes for the French magazine Le Sourire. Using a series of curved mirrors, he photographed the fantastically distorted reflections of his models. Kertész later said, ‘At the time I made the distorted nudes, it was great amusement, absolute fun, and we didn’t force anything. With every movement of the model, there was some interesting transformation, some fantastic design. Sometimes the forms were sculpturesque, sometimes horrible and cadaverous.’ Kertész incorporated chance and the grotesque in his photographs, interests that aligned with the those of the Surrealists at this time.
Artwork Details
inscribed in pencil on reverse l.l.: 400-
Purchased, 1976
© Estate of André Kertész, courtesy of Higher Pictures, New York
This digital record has been made available on NGV Collection Online through the generous support of the Bowness Family Foundation
Level 2, NGV International