NGV Triennial

Fallen Fruit
Natural History

NGV Triennial 2020 installation view of Fallen Fruit (artist collective); David Allen Burns (artist); Austin Young (artist) Native plants (Cranbourne Gardens) 2020 (detail, background) from the Natural History series 2020, Commissioned by the National Gallery of Victoria, Melbourne and Robert Hague Shutdown 2015 (foreground) National Gallery of Victoria, Melbourne. Purchased, Victorian Foundation for Living Australian Artists, 2016.. Natural History 2020 is supported by Nicholas Perkins and Paul Banks
© Fallen Fruit © the artist. Photo: Sean Fennessey
NGV Triennial 2020 installation view of Fallen Fruit (artist collective); David Allen Burns (artist); Austin Young (artist) Naturalised plants (Royal Botanic Gardens) 2020 from the Natural History series 2020, Commissioned by the National Gallery of Victoria, Melbourne, including works from the NGV's Collection. Natural History 2020 is supported by Nicholas Perkins and Paul Banks
© Fallen Fruit. Photo: Sean Fennessey
NGV Triennial 2020 installation view of Fallen Fruit (artist collective); David Allen Burns (artist); Austin Young (artist) Sketchbooks and drawings (National Gallery of Victoria) 2020 from the Natural History series 2020, Commissioned by the National Gallery of Victoria, Melbourne and Donato Barcaglia Love is blind (Amore Accieca) c. 1875 (foreground) National Gallery of Victoria, Melbourne. Gift of Carol Sisson through the Australian Government's Cultural Gifts Program, 2020. Natural History 2020 is supported by Nicholas Perkins and Paul Banks
© Fallen Fruit. Photo: Sean Fennessey

LEVEL 1, GALLERY 14

UNITED STATES OF AMERICA, ESTABLISHED 2004
BASED IN LOS ANGELES


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PROJECT
For Natural History 2020, David Allen Burns and Austin Young / Fallen Fruit created an immersive installation artwork that utilises photographs of Australian flora and selected artworks from the NGV permanent collection to respond to history and the environment. The artwork is a triptych composed of asynchronous repeat patterns printed onto fabric wall coverings. Wrapping the NGV’s 16th and 17th Century Gallery, the wall coverings incorporate photographs of plants, fruits and flowers made by the artists during a research trip to Melbourne in early 2020. The trip included visits to Melbourne’s Royal Botanic Gardens, Cranbourne Gardens, the Collingwood Children’s Farm and surrounding neighbourhoods. The wall coverings are presented alongside NGV Collection works portraying issues of colonialism, the natural world, and narrative depictions of religion and the supernatural, with the artists selecting and re-organising the works to form contemporary perspectives on race, class and gender. A joint statement by Fallen Fruit notes: ‘As artists, we are interested in how people, plants, and animals are represented in various natural settings, landscapes, and gardens. By drawing from the NGV Collection, the immersive artwork also becomes a story about the formation of colonial Australia itself, and how people and plants from other places have naturalised within the Indigenous landscape.’

ABOUT
Fallen Fruit, an art project consisting of artists David Allen Burns and Austin Young, began by creating maps of public fruit: the fruit trees growing on or over public property. The duo’s work includes photographic portraits, experimental documentary videos and site-specific installation artworks. Using fruit – plus public spaces and public archives – as materials for interrogating the familiar, Fallen Fruit investigates interstitial urban spaces, bodies of knowledge and new forms of citizenship. From protests to proposals for utopian shared spaces, Fallen Fruit’s work aims to reconfigure the relationship of sharing and explore understandings of what is considered both public and private. Fallen Fruit was originally conceived by David Burns, Matias Viegener and Austin Young. Since 2013, Burns and Young have continued the collaboration.