NGV TEMPORARY CLOSURE

From our team here at NGV, we’d like to express our very best wishes to our community at this time.

Due to the evolving nature of COVID-19 and after following closely the State and Federal Government’s advice, we have extended the NGV’s temporary closure until 30 June.

If you have pre-purchased tickets for current exhibitions or upcoming programs, our team will be in contact with you shortly to arrange full refunds.

We encourage you to visit our website and follow #NGVEveryDay on social media for updates and daily inspiration.

We are very grateful for the loyalty and understanding of the NGV community and wish everyone well during this time.

Authors

Issey Miyake’s Bustier v toffee apple

Hello and welcome to the takeover!

That’s right, you heard us.

For the next fortnight, in conjunction with the L’Oréal Melbourne Fashion Festival, the NGV will be blogging strictly fashion.

From the clever mash-ups of Wardrobe V Pantry, to Leo Greenfield’s street-style illustrations, to posts by emerging designers, vintage retailers, curators and catwalk commentators, WE BLOG FASHION covers the iconic to ironic with a forwards look at local fashion culture.

Seeing red

More than just aesthetics, colour in fashion conveys meaning. And if you’re wearing red and you’re a woman, well chances are you’re saying sexy. If my judgment seems coloured just think on the associations; red roses, red-light districts, Lady in Red; passion and lust.
Admittedly red has been in out of vogue over the centuries for other reasons. In the 16th & 17th centuries it was worn by fashionable aristocrats who drew on red’s historical associations with the Church, power and prestige. Long before Louboutin, Louis XIV of France painted the heels of his man-pumps crimson to claim attention. Chic and showy, red was highly prized because of the great expense involved in producing dyestuffs from Mexican cochineal beetles.

In the 1850s, thanks to Nathanial Hawthorn’s The Scarlett Letter, red signified adultery and was rarely worn. Yet skip forward to 1990 and a ravishing red dress is what turns Julia Roberts from sinner into socially acceptable. It’s no accident. From Funny Face to Pretty Woman, Valentino to Rouge Dior, the power of the colour red has been long-used by designers wanting to make a statement.

Danielle Whitfield

Image: Kate Longley and Zoe Allnutt from Wardrobe V Pantry couldn’t decide if they liked fashion or food more so they just stuck ‘em together.